I was honored to be an inaugural member of Josh Cooperman’s Design Influencer Group, or better yet, “DIG.” As part of the Convo By Design’s platform, DIG was launched to examine, “industry trends and information not just about design, but about the business of design . . . design creatives are being asked to do more, for less.” Cooperman introduces, “The Design Influencer Group is a forum for a select group of design trade professionals to discuss these industry issues and design ideas that are shaping our design community here in Southern California.”
If our design doesn’t yell for attention, then we are successful. Intentionally, our architecture here is not raucous, but rather, enjoys its peaceful disposition.
Poon Design Inc. has completed four sacred buildings for the Bodhi Path Buddhist Center of Natural Bridge, with a fifth building soon to commence construction. The 400-acre international Buddhist retreat property acknowledges the late Shamar Rinpoche, also known as the 14th Shamarpa and the distinguished Red Hat Lama of Tibet.
For this non-profit organization, our architecture investigates economical design that is both neutral and dramatic, both traditional and modern. Universally sacred, all the projects express a crafted architecture of both human and spiritual hands.
For most architects, the design starts inside the brain. We are then challenged to extract that creative spark out of our head and on to paper, or these days, on to a computer screen. Urgently, we grasps at the tools of our trade to convert the abstract ideas into some visual form of communication, i.e., the sketch on the back of an envelope, the first computer drawing, or the crude paper model.
Often, our ideas are grander, more ambitious, than any tool can capture. Tools have limits, whereas our artistic spirits do not.
George Smart: Welcome to US Modernist Radio where we talk and laugh with people who enjoy, own, create, dream about, preserve, love, and hate Modernist architecture. Anthony Poon, our next guest, is an architect, concert pianist, artist, and author. His talk at Palm Springs’ Modernism Week was about architects in popular culture. There’s a lot more than you might think.
For myself, I applaud. Today I am publishing my 100th essay on this platform! In traditional terms, this effort would constitute a 500-page book. For this blog (web-log: for those who don’t know), I have avoided writing silly tweets, mere blurbs and convenient commentary. Instead, I have sought to author articles of substantial thought—researched, illustrated and well composed. To accompany this 100th article, a video was created on Poon Design Inc., by videographer, Grant Bozigian.
Most of my life, I have been painting. At age five in my parent’s San Francisco house, I painted an extensive landscape mural from the entry hall up the stairs—without permission or notice. My mother and father were excited, but not pleased—a parenting dilemma of pride and scolding. At age ten, I was invited by my elementary school to paint a larger-than-life Captain America on the courtyard wall. So many years ago, I preceded today’s fanaticism with the Marvel Cinematic Universe.
For the past year, I have been exploring painting as an activity of searching, finding and intervening.