Tag Archives: AYN RAND

EIGHT THINGS I DISLIKE ABOUT ARCHITECTURE

September 2, 2016

1893 Chicago's World Fair, Illinois

ONE

Clients who change their minds every other day. I get it; it’s their project and it’s their money. They are the customers, and I would not have a business without them. But I am hired to be the design authority. So why is all my expertise cast aside, only to have me arbitrarily move a wall six inches in one direction, then three inches in another direction, then back to the original position—and then, do this again 20 more times over months?

Figure drawing by Anthony Poon
Figure drawing by Anthony Poon

TWO

The business of architecture. To have work, I have to market the company— promote, promote, promote. I also bill clients, pay insurance and rent, manage finances, execute contracts, and take care of payroll and taxes. Being an entrepreneur and sole proprietor, such are mandatory activities, but they interfere with doing what I love: to draw, design and create.

THREE

Technology that has overtaken artistry and imagination. Computers are powerful and convenient. I can’t imagine my business without them, but they are just one of many tools. Some architects have forgotten how to use their hands, their eyes, and their souls. And some clients believe (incorrectly) that simply with the use of a computer, architects should be able to do more work and do it faster.

Revit file for mixed-use project, Los Angeles, California, by Poon Design
Revit file for mixed-use project, Los Angeles, California, by Poon Design

FOUR

The frightening responsibility of what I do. Poorly selected kitchen cabinets might compromise the aesthetics of a house, but an incompetent design of fire exits for 10-story student dormitories is a life and death matter.

Northwest Campus Student Housing, University of California, Los Angeles, by Anthony Poon (w/ HHPA, photo by Michael Moran)
Northwest Campus Student Housing, University of California, Los Angeles, by Anthony Poon (w/ HHPA, photo by Michael Moran)

FIVE

Interior decorators who call themselves interior designers, as if to suggest these decorators shape architectural space, structure and light. Whether decorator or designer, why is it that they (alas, many of my friends are interior decorators/designers) garner higher pay than architects? Is selecting the right hue for a pillow sham as significant as my design for a high school?

Pacifica Christian High School, Culver City, California, by Poon Design
Pacifica Christian High School, Culver City, California, by Poon Design

SIX

Red Tape: working with the bureaucracy of city agencies to obtain approvals, even for the simplest of things. I do appreciate the need for the Department of Building and Safety to protect us against the unscrupulous and derelict, but I am neither unscrupulous nor derelict. I have better things to do than spend hundreds of hours waiting in line to submit a soils report, only to be rejected because today is the staff party for their July birthdays, and the counter has abruptly closed.

SEVEN

Bleeding for the art. Architecture is a struggle, and if it was easy, we probably wouldn’t be interesting in doing it. But most architects work way too hard, struggle too much. Pritzker-awarded Rafael Moneo once told our class not to worry. Without missing a beat and in all seriousness, this head of Harvard’s architecture school declared, “You have more than the five calendar days left to complete the project; you have ten days. Five days and five nights. Do not sleep!”

Murcia Town Hall, Spain, by Rafael Moneo (photo from metalocus.es)
Murcia Town Hall, Spain, by Rafael Moneo (photo from metalocus.es)

Fountainhead-WebEIGHT

The ego of some architects with their overly curated philosophical platforms laced with intellectual superiority. Architects, charged with solving design challenges with innovation and efficiency, do have a vital role in society. But are we rock stars? Are we “Starchitects?” I often wonder whether Ayn Rand was serious about the greatness of architects, or was she simply elbow jabbing the profession, slyly mocking us.

CELLULOID HEROES

May 27, 2016

Gary Cooper in The Fountainhead (1949), Robert Reed in The Brady Bunch (1969-1974), Charles Bronson in Death Wish (1974), Paul Newman in Towering Inferno (1974)

Why are there so many architects in the movies and on TV?

In most cases, the fact that an actor is an architect on the small or big screen is superfluous to the actual plot. Though a popular trope, the role of the architect is no more than a characteristic, a trait assigned to the male lead, and in fewer cases the female lead, only to provide substance and gravitas.

This matter—the truth and accuracy of how architects are portrayed by Hollywood—is frequent coffee room or cocktail hour chatter among practicing architects. We are at turns offended or flattered, but always perplexed.

Here are the basic elements of the architect-in-entertainment mix-and-match dramatis personae toolkit:

 – affluent, but not necessarily rich
 – thoughtful and introspective
 – attractive
 – cultured
 – sensitive
 – artistic-with-a-job
 – highly intelligent
 – coolly professional

Tom Selleck in Three Men and a Baby (1987), Wesley Snipes in Jungle Fever (1991), Tom Hanks in Sleepless in Seattle (1993), Woody Harrelson in Indecent Proposal (1993)
Tom Selleck in Three Men and a Baby (1987), Wesley Snipes in Jungle Fever (1991), Tom Hanks in Sleepless in Seattle (1993), Woody Harrelson in Indecent Proposal (1993)

The writer and director of Sleepless in Seattle needed Tom Hanks to be the reserved, artistic businessman at the center of the story, so they made him an architect, not a poet, cop, or hedge fund manager. They also didn’t want Hanks actually being an architect most of the time. Those paying to watch a romantic comedy with Meg Ryan want to see Hanks as the sensitive, romantic architectural designer with an ideal nature, not Tom Hanks as a real architect trying to restart his laptop because the Revit software has crashed again, and then spending the rest of his day slaving for a client who can’t decide whether the exterior paint should be tan, sand, or beige, or whether the bathroom tile should be ivory, buff, egg shell, or ecru. Also, Hanks can’t spend his time hitting the pavement hoping to find another commission so he can pay his office rent.

Poets, cops, and denizens of Wall Street are equally charged character fodder, but for different purposes. The architect character is altruistic, worldly, cool, but not too cool, well dressed, and established. Architects are also considered not wild, emotional, or too, too sexy. (I would sometimes like to be, or at least thought of as being, one or two of those things.)

In a drama, the architect is the cool center, and often needs the supplement of other traits from the screenwriters’ playbook, such as diplomatic jury member or struggling educator, to beef up the character’s potentially monochromatic dimension. In comedy, the architect’s impartiality allows other cast members to shine uncontested with wit and satire. Architects are safe non-distractions.

Richard Gere and Sharon Stone in Intersection (1994), Matthew Broderick in The Cable Guy (1996), Michelle Pfeiffer in One Fine Day (1996), Matt Dillon in There’s Something about Mary (1998)
Richard Gere and Sharon Stone in Intersection (1994), Matthew Broderick in The Cable Guy (1996), Michelle Pfeiffer in One Fine Day (1996), Matt Dillon in There’s Something about Mary (1998)

Here’s a partial list of movies featuring architects:

Boris Karloff in The Black Cat (1934)
Gary Cooper in The Fountainhead (1949)
Henry Fonda in 12 Angry Men (1957)
Kirk Douglas in Strangers When We Meet (1960)
Donald Sutherland in Don’t Look Now (1973)
Charleton Heston in Earthquake (1974)
Tom Selleck in Three Men and a Baby (1987)
Wesley Snipes in Jungle Fever (1991)
Steve Martin in HouseSitter (1992)
Tom Hanks in Sleepless in Seattle (1993)
Woody Harrelson in Indecent Proposal (1993)
Richard Gere and Sharon Stone in Intersection (1994)
Matthew Broderick in The Cable Guy (1996)
Michelle Pfeiffer in One Fine Day (1996)
Matt Dillon in You, Me and Dupree (1998)
Matt Dillon in There’s Something about Mary (1998)
Matthew Perry and Oliver Platt in Three to Tango (1999)
Billy Crudup in World Traveler (2001)
Liam Neeson in Love Actually (2003)
Ashton Kutcher in Butterfly Effect (2004)
Michael Keaton in White Noise (2005)
Adam Sandler in Click (2006)
Keanu Reeves in The Lake House (2006)
Virginia Madsen in Firewall (2006)
Zach Braff in The Last Kiss (2006)
Luke Wilson in My Super Ex-Girlfriend (2006)
Tom Everett Scott in Because I Said So (2007)
Joseph Gordon-Levitt in (500) Days of Summer (2009)
Steve Martin (again) in It’s Complicated (2009)
Ellen Page in Inception (2010)
Sean Penn in Tree of Life (2011)

Matthew Perry and Oliver Platt in Three to Tango (1999), Adam Sandler in Click (2006), Keanu Reeves in The Lake House (2006), Zach Braff in The Last Kiss (2006)
Matthew Perry and Oliver Platt in Three to Tango (1999), Adam Sandler in Click (2006), Keanu Reeves in The Lake House (2006), Zach Braff in The Last Kiss (2006)

Except for the Gary Cooper role, which came with the heavy expectation associated with Ayn Rand’s bestselling and controversial novel, The Fountainhead, I suspect most do not recall that the actors above portrayed architects. That’s how well the role was written and the stereotype applied. And as to the stereotype syncing with the real world, the roles are mostly male, reflecting an issue in the real architectural world, though that is changing for the better.

Serious movie fans will note some omissions on my list. I did not list the following, for the reasons stated:

Paul Newman in Towering Inferno: He’s really playing an architect in a real design and construction crisis, not playing a stereotype.

“The Architect” in the The Matrix movies: He’s not a builder of buildings per se, but a builder of an entire future world, which I certainly envy, but not quite to that extent, my ego aside.

Charles Bronson in the Death Wish movies: As he is a vigilante murderer, I invoke the “exception proves the rule” cliché. Architects can be cool, but not cool killers.

For my full feature essay, go to the Film and Music Issue of the recent LA Home.

Steve Martin in It’s Complicated (2009), Ellen Page in Inception (2010), Sean Penn in Tree of Life (2011), Josh Radnor in How I Met Your Mother (2005-2014)
Steve Martin in It’s Complicated (2009), Ellen Page in Inception (2010), Sean Penn in Tree of Life (2011), Josh Radnor in How I Met Your Mother (2005-2014)
© Poon Design Inc.