DESIGN AND DISCOMFORT: SIT AND BE CURIOUS

December 15, 2017

Digital intervention by MMTRA into the Kunsthaus Bregenz, Austria, by Peter Zumthor (photo from behance.com)

I have written about a number of things that are in essence, big pains in the butt (pains, city process and bad clients, just to name a few). Recently, I asked two colleagues, Christine Fang and Ji Ahn, who practice mindfulness and meditation: What do you do with the discomforts of life? I requested of them to provide me a peek into their training.

They tossed back some words: adventure, commit and experience—and sit and be curious. But somewhere along this pattern of words, Chris and Ji are aware that discomfort will inevitably rear its ugly head.

Spirituality and contemplation at Knight Rise, Nancy and Art Schwalm Sculpture Garden, Museum of Contemporary Art, Scottsdale, Arizona, by James Turrell (photo by Sean Deckert)

Chris suggests, “I think I might be a masochist on some level. I love carving out new paths, going where no one else has gone before. But new paths mean discomfort. It’s all new terrain, whether something you’re confronting in the physical world, or in your mind. And you’re fighting the self-created inertia that makes you want to turn the other direction. New terrain means learning new things, and most certainly, making mistakes! As you keep at the new terrain, new becomes routine. Then when bored, the mind goes searching again for new terrain.”

Architecture framing nature, at a Buddhist Temple, Blue Ridge Mountains, Virginia (photo by Anthony Poon)

Similarly, Ji responds, “Growing up, I was attracted to unknown paths and adventure. Not knowing the end result gave me the space to be creative and an opportunity to imagine new possibilities. Being in this space of solitude, the exploration opens me up to be curious and to sit with discomfort that visits me in the process. Changing the relationship to our discomfort allows us to explore and grow. Within discomfort, we might be able to find joy and serenity.”

The elegant dialogue between building and landscape, at the Woodland Cemetery, Stockholm, by Erik Gunnar Asplund and Sigurd Lewerentz (photo by Landezine)

As the architect, my simple understanding: Through mindfulness and meditation, one creates space and stillness. Design-wise, what is this architecture that can support the simple tenet, “sit and be curious”? Chris and Ji suggest any of these possibilities as starting points.

A space of stillness found when experiencing nature, or
An area in one’s home to be safe and quiet, to reflect, or
A place dedicated to meditation.

Meditation Retreat House, Blue Ridge Mountains, Virginia (photos by Anthony Poon)

Though not my thesis for projects (and though I only know of mindfulness as a visitor), my work finds a common ground with some of my two colleagues’ thinking.

twoPart café, Los Angeles, California, by Poon Design (photos by Anthony Poon)

At twoPart café, my first public design from 1992, the simplicity of the architecture delivered a space of adaptability. More so, it was intentionally incomplete. Like a blank canvas with only a few brush strokes to motivate a visitor, twoPart enabled human development. Customers sought to advance their current affairs—whether reconciling with a loved one, pursuing that long sought after graduate degree, or finally finishing the Hollywood script.

Simplicity in elemental forms and materials, at the Thermal Vals, Braubunden, Switzerland, by Peter Zumthor (photo by Fernando Guerra)

Though Mozart claimed that music should always be beautiful, I concur with Beethoven that music can do a lot more than simply be pretty. I believe music can be heroic or moody, ominous or bold, shocking or even off beat.

For architecture, spaces don’t have to always be pleasing, comfortable, serene or joyful, but whatever form architecture takes, the design supports people on their journeys.

DIN TAI FUNG: I’LL TAKE TWO

January 15, 2016

Exhibition dumpling kitchen and chefs, Costa Mesa, California (photo by Gregg Segal)

For Michelin-rated restaurant, Din Tai Fung, Poon Design Inc. designed two locations, fit for what the The New York Times has called, “one of the Top Ten Restaurants in the World.” Our architecture showcases the essence of Chinese craft with thoroughly modern and seductively detailed spaces.

Though the Taiwanese clients possessed an appreciation for Asian design, this husband-wife team did not seek the predictably themed Chinese restaurant. Meaning, no golden dragons, no cartoonish calligraphy and no red silk curtains.

Lounge dining and plywood skylights, Costa Mesa, California (photo by Gregg Segal)

The cuisine at Din Tai Fung inspired Poon Design. Over 50,000 dumplings are painstakingly made each day per location. By hand.

Our architectural response is this: craftsmanship of elemental materials such as wood and stone, interpreted through contemporary fabrication.

Exhibition dumpling kitchen and circular motif, Glendale, California (photo by Gregg Segal)

At both California projects, South Coast Plaza in Coast Mesa and The Americana at Brand in Glendale, our centerpiece is the exhibition kitchen, which puts the artistry of the chefs on theatrical display. A circular design motif takes a cue from the bamboo steamers used to prepare the dumplings. A wood ceiling of halo-lit circles extends from the exhibition kitchen, folding down as a display wall of ceremonial vessels—from which the restaurants take their name: din (vessels). The circular theme repeats in milled white oak sheets laminated between layers of glass comprising the kitchen windows.

Central dining room with Turrell-inspired dome, Costa Mesa, California (photo by Gregg Segal)

The dramatic restaurant walls of stone slabs and wood planks contrast the highly detailed CNC-cut wood screens and water jet-cut, powder-coated aluminum panels. Dense patterns at the bottom of these screens provide privacy, while open patterns at the top allow in natural light.

Patio and exterior of central dining room, Costa Mesa, California (photo by Gregg Segal)

At 8,300 square feet and 200 seats, the Costa Mesa location features a lounge area of honed sandstone and Walnut plywood skylights, a dining room with a Turrell-inspired elliptical dome, walnut furniture custom designed by Poon Design, and a patio under a muscular steel canopy. Emanating from the exhibition kitchen, the shaped plaster ceiling echoes our restored 1960’s sculptural entry pavilion.

At 7,000-square-foot and 170 seats, the Glendale location additionally features heavily grained Oak planks, brass inlay Chinese characters, Juno limestone, black porcelain flooring, and custom oak and leather furniture.

top: Reception and plywood lamp shades, Glendale, California; bottom: Dining room with movable screens, Glendale, California (photos by Gregg Segal)

Poon Design explores artistry and craft, with our architecture also combining old and new. We acknowledge the legacy of the past, while embracing an exciting future.

Tag Archives: JAMES TURRELL