It’s a popular myth that you see in TV and movies, that an architect is rich. From Greg Brady supporting a family of eight (nine if you count Alice) to the architect duo of Richard Gere and Sharon Stone, from charming Tom Hanks to Steve Martin playing an architect twice, the world seems to think architects are wealthy—rolling in money.
Well, we are not. Not at all. Not even close.
I have a secret to share. What is the formula to success when your team is being considered for a big contract? It could be your design team being interviewed for a new shopping center, or a law firm being considered for a huge case. Maybe a financial group is being evaluated to take a start up public, or a real estate company for a national property deal. How to you hit a homerun during the interview and presentations?
It must be asked: What is good architecture? What is bad architecture?
A 3rd century B.C. Greek adage has become the seminal motto, “Beauty is in the eye of the beholder.” But who are these “beholders”? And is architecture subjective—to be determined on a case-by-case basis by whoever is beholden, whoever is the random casual visitor?
To capture the spirit of a proposed architectural design, the human hand once held a pencil. For better or for worse, that same hand uses a computer these days.
Long before the advent of technology, architects drew by hand—ink on paper, for example. Sometimes meticulous and detailed, other times expressive and abstract—handmade presentations communicated the design vision for a client.
As I stated at the close of 2019, I avoid “The Best of” list, because I don’t know how to define “the best.” For the end of 2019, I instead listed ten worthy projects that fit my list of The Most Seductive Buildings. For the end of 2020, the operative adjective is intriguing.
To intrigue is an act of arousing one’s curiosity or interest—to fascinate. Being intriguing can be illicit or titillating. In no particular order, I list below ten projects from last year that intrigue, enthrall, and captivate.
Architecture can—and most definitely should—be artistic. Masterpieces such as both Guggenheim museums, in New York City and Bilbao, Spain, are called “works of art” by pretty much everyone. Interesting that a legendary work of art such as the Monet’s Water Lilies would never be referred to as an exquisite “work of architecture.” Some sculptures on … Continue reading #128: BLURRING THE BOUNDARY BETWEEN ART, SCULPTURE, AND ARCHITECTURE
