#190: WINGS OF DESIRE: QUADRACCI PAVILION

#189: ARCHITECTURE AS STORYTELLING

#188: THE IMPERFECT FARNSWORTH HOUSE

#187: LOS ANGELES INCOMING: THE HEROIC AND THE AMBITIOUS

#186: ANOTHER BAKER’S DOZEN

#185: WHAT IS ARCHITECTURAL SUCCESS?

#184: THE ROLLER COASTER OF ARCHITECTURE

#183: ARCHITECTURE OF REMEMBRANCE: HOLLYWOOD FOREVER CEMETERY

#182: STUCK IN THE PAST

#181: THE MOST FASCINATING BUILDINGS OF 2023

#180: PRACTICE MAKES PERFECT

#179: MY TOP TEN FAVE ARCHITECTS

#178: THE SUPERNATURAL AND JUST PLAIN WEIRD STUFF

#177: 3D PRINTING: PAST, PRESENT, AND FUTURE

#176: THROWING A CURVE BALL

#175: A STORY ABOUT MODULAR CONSTRUCTION

#174: TEN PARKS OF THE NATION

#173: MODELS AND SUPERMODELS

#172: A DAY AND A HALF IN NEW YORK CITY

#171: AI: BEWARE AND BEWILDERED

#170: STROKES OF GENIUS?

#169: ARCOSANTI: DREAM INTERRUPTED

#168: SINS OF OUR PAST: THE 1871 CHINESE MASSACRE

#167: MID-CENTURY MODERNISM: POINT OF DEPARTURE

#166: FLATTERY OR THEFT

#165: ARCHITECTURE NOT THERE

#164: THE PURPOSE TO REPURPOSE

#163: THE MOST BREATHTAKING BUILDINGS OF 2022

#162: OCMA REVIEW: THE BEAUTY OF EXCESS

#161: AUTHENTICITY AND DISHONESTY IN MATERIALS

#160: THE BRAVERY OF HAYDEN TRACT

#159: 2022 AIA RESTAURANT DESIGN AWARDS: “AND THE AWARD GOES TO…”

#158: LOS ANGELES BAKER’S DOZEN

#157: “BE WATER, MY FRIEND”

#156: ACADEMY MUSEUM OF MOTION PICTURES: PLOT AND CLIMAX

#155: WHETHER IT’S MUSIC, PAINTING, OR WRITING, ARCHITECT ANTHONY POON HAS A STORY TO TELL

#154: WHAT IS YOUR BRAND?

#153: SOCIAL IRRESPONSIBILITY: SCALE AND OPTICS

#152: DESIGNING COMMUNITIES: RISKS AND REWARDS

#151: FAIA INDUCTION

#150: EGO AND ARROGANCE

#149: NO BED OF ROSES, PART 4 OF 4: CHALLENGES OF THE HUMAN CONDITION

#148: COST OVERRUNS: WTF?

#147: TRIBUTE: RICARDO BOFILL (1939-2022) AND THE ARCHITECTURE OF THE FANTASTICAL

#146: THE MOST STRIKING BUILDINGS OF 2021

#145: THE DEMISE OF MENTORSHIP

#144: THE NECESSARY EVIL OF PLANNED COMMUNITIES?

#143: NO BED OF ROSES, PART 3 OF 4: THE INTEGRITY OF MISTAKES

#142: NEW MEETS OLD: INTENTIONAL ACTS OF DISRUPTION

#141: SEATTLE HEROES AND ICONS

#140: NO BED OF ROSES, PART 2 OF 4: THE FUTURE AND THE ARCHITECT’S CURSE

#139: JORDAN ESTES INTERVIEWS ANTHONY POON: THE WHAT / HOW / WHY’S OF ARCHITECTURE

#138: GORGEOUS—BUT HOW THE HECK DID THAT GET BUILT?

#137: NO BED OF ROSES, PART 1 of 4: PANDEMIC RESPONSE AND THE THREE-LEGGED STOOL

#136: GENERALISTS VS. SPECIALISTS: WHO SUCCEEDS?

#135: WHO WOULD YOU KILL TO SATISFY YOUR CREATIVE EGO?

#134: LIVE LEARN EAT INTERVIEW PART 2 OF 2: RESTAURANTS BY POON DESIGN INC.

#133: THE INFURIATING MYTH OF AN ARCHITECT’S WEALTH

#132: THE THREE-PART SECRET: HOW TO GET SELECTED FOR THE BIG COMMISSION

#131: GOOD OR BAD: THE SUBJECTIVITY OF DESIGN

#130: TO DRAW OR NOT TO DRAW—THAT IS THE QUESTION

#129: THE MOST INTRIGUING BUILDINGS OF 2020

#128: BLURRING THE BOUNDARY BETWEEN ART, SCULPTURE, AND ARCHITECTURE

#127: NEW MASTERS OF THE TRADE

#126: LIVE LEARN EAT INTERVIEW PART 1 OF 2: SCHOOLS BY POON DESIGN INC.

#125: LIGHT AS A BUILDING MATERIAL: SACRED AND SYMBOLIC

#124: THE GIFTERS PODCAST, PART 2 OF 2: PROBLEM SOLVING, PRESENTATION, AND PUBLICATIONS

#123: ARCHITECTS AND INTERIOR DESIGNERS: WHAT TO KNOW

#122: “LET’S ARCHITECT IT!”

#121: LIVE LEARN EAT: A NEW BOOK ON THE WORK OF POON DESIGN INC.

#120: COMING OF AGE IN ARCHITECTURE

#119: IS THE CUSTOMER ALWAYS RIGHT?

#118: THE GIFTERS PODCAST, PART 1 OF 2: ARTS, ARCHITECTURE, AND AUDIENCE

#117: SHIFTING GROUNDS IN ARCHITECTURE

#116: THE ARCH PODCAST, FORM MAGAZINE, 3 OF 3: JAZZ, MISTAKES AND BEAUTY

#115: A JOURNEY THROUGH THE FIVE SENSES

#114: SIX ICONOCLASTS: MARCHING TO THEIR OWN DRUM

#113: ARCHITECTURE DESIGN COMPETITIONS: ARE THEY WORTH IT?

#112: SOCIAL MEDIA IN A WORLD OF #DISCONNECTING

#111: THE MOST SEDUCTIVE BUILDINGS OF 2019

#110: THE ARCH PODCAST, FORM MAGAZINE, 2 OF 3: SACRED WORKS AND COLOR

#109: ART THAT INSPIRES ME

#108: DESIGNING FOR THE ATTAINMENT OF KNOWLEDGE

#107: THE ARCH PODCAST, FORM MAGAZINE, 1 OF 3: STORYTELLING THROUGH ART

#106: GLENSTONE: A CONVERSATION BETWEEN ART, LANDSCAPE AND ARCHITECTURE

#105: PODCAST: DESIGN INFLUENCER GROUP AND THE NEW RULES OF DESIGN & ARCHITECTURE

#104: THE RELIQUARY BUILDING FOR THE 14TH SHAMARPA: RESOUNDING IN SILENCE

#103: LIMITED BY THE TOOLS OF THE TRADE

#102: PODCAST: HOLLYWOOD’S OBSESSION WITH ARCHITECTS

#101: THE MAKING OF A VIDEO

#100: FLOWER PAINTINGS: INTERVENTION AND SYNERGY

#99: FENG SHUI AND CRYSTALS: THE ART OF INTENTION

#98: COUNTERPOINT: MUSIC AND ARCHITECTURE, PART 2

#97: PODCAST PART 2: MODERN FOR THE MASSES, REVISITED

#96: OUR DESIRE FOR NATURE

#95: BUILDINGS: INTROVERTS VS. EXTROVERTS

#94: BEETHOVEN’S TENTH: IN SEARCH OF PERFECTION

#93: PODCAST PART 1: THE ART WITHIN MUSIC AND ARCHITECTURE

#92: NOT JUST FOR KIDS: THE ART OF COMIC BOOKS

#91: WINDOWS: “EYES TO THE SOUL”

#90: THOSE WERE THE DAYS: POST MODERNISM AND ROBERT A.M. STERN ARCHITECTS

#89: THE ORIGINALITY OF BEING ORIGINAL

#88: SYMMETRY AND THE LIKE

#87: GROWING UP IN ARCHITECTURE

#86: DON’T BE AFRAID OF NEW IDEAS

#85: AWARDS, HONORS AND BRAGGING RIGHTS

#84: KINETIC ARCHITECTURE: THE DESIGN OF MOVEMENT

#83: A SUMMER IN BLACK AND WHITE

#82: THE ADVERTISING OF ARCHITECTURE: THE ARCHITECTURE OF ADVERTISING

#81: TEN THOUGHTS, TEN MINUTES

#80: TIMELESSNESS: THE MANY LIVES OF THE BRADBURY BUILDING

#79: MID-CENTURY MODERNISM: STOP THE INSANITY!

#78: ANTHONY DREAMS OF SUSHI

#77: PLEASE STOP ASKING, “RESIDENTIAL OR COMMERCIAL?”

#76: THE IMPORTANCE OF BEING DAVID E. MARTIN

#75: DESIGN AND DISCOMFORT: SIT AND BE CURIOUS

#74: LEARNING FROM FIGURE DRAWING: THE BIG PICTURE

#73: PETER ZUMTHOR AND ELEMENTAL IDEAS

#72: CROSSOVER: FROM ONE TO THE OTHER

#71: THE NOISE OF ARCHITECTURE

#70: THE JOKE’S ON YOU: HUMOR AND WIT IN DESIGN

#69: AND EVEN MORE AGONY, ANGUISH AND DEALINGS WITH THE CITY, PART 3

#68: THE PERFECTION OF IMPERFECTION IN ARCHITECTURE AND MUSIC

#67: “WIPE THAT SMIRK OFF YOUR FACE”

#66: WHITE ON WHITE ON WHITE

#65: B PLUS VS. A MINUS

#64: WANNA HIRE AN ARCHITECT?

#63: SOME KIND OF BEAUTIFUL

#62: PARAMEDICS IN ATTENDANCE

#61: ARCHITECTURE AS THE LEAD CHARACTER

#60: AND MORE AGONY, ANGUISH AND DEALINGS WITH THE CITY, PART 2

#59: THE BUSINESS WORLD WANTS TO THINK LIKE DESIGNERS

#58: TRIBUTE: HUGH HARDY EXCLAIMS “HAPPY DAY! ONWARD!” (1932-2017)

#57: “IT ALL SOUNDS THE SAME TO ME”

#56: IS TV FOR REAL? PART 2

#55: MY FIFTEEN FAVE BUILDINGS

#54: THE COMPLEXITY OF SIMPLICITY

#53: EIGHT THINGS I LIKE ABOUT ARCHITECTURE

#52: THE MEEK AND THE MIGHTY

#51: THE WORLD FAMOUS FRANK GEHRY AND THE BEST JOB I DIDN’T WANT

#50: GOOD APPLES

#49: BAD APPLES

#48: HALLOWEEN AND ABSTRACT EXPRESSIONISM

#47: THE RELEVANCE OF PERSONAL EXPERIENCE

#46: (DI)STRESSED OUT: LIFE WITH PATINA

#45: STICKS & STONES | STEEL & GLASS : ONE ARCHITECT’S JOURNEY

#44: EIGHT THINGS I DISLIKE ABOUT ARCHITECTURE

#43: SQUEEZING IN THE NEW SFMOMA

#42: WHO THE HECK WAS THIS GUY?

#41: TO BE LOVED

#40: WHO WILL BE MY CLIENT?

#39: SOME OF MY BEST FRIENDS ARE ARCHITECTS

#38: LIFE AND DEATH OF ARCHITECTURE

#37: CELLULOID HEROES

#36: THE WORLD FAMOUS I.M. PEI AND THE BEST JOB I NEVER HAD

#35: ARCHITECTURE FROM A TO Z

#34: MASSACRE AT HARVARD

#33: IS TV FOR REAL?

#32: HERMOSA BEACH FIASCO: ARCHITECTURE OF POLITICS

#31: AGONY, ANGUISH AND DEALINGS WITH THE CITY

#30: JAZZ-LIKE: THE CURIOUS THING ABOUT STYLE, PART 2 OF 2

#29: MY EARS ARE RINGING

#28: MYTH OF THE PREFAB HOUSE

#27: A MIGHTY CITY FREEZES OVER, PART 2 OF 4

#26: DIN TAI FUNG: I’LL TAKE TWO

#25: THE CURIOUS THING ABOUT STYLE, PART 1 OF 2

#24: PETERSEN AUTOMOTIVE MUSEUM: ARCHITECTURE OF THE GROTESQUE

#23: JOURNAL ENTRIES FROM THE LIFE OF DESIGN

#22: ALLURE OF AN ARCHITECT’S OFFICE

#21: THE ROAD TO FRANK GEHRY: WHAT HAPPENED AT LACMA?

#20: GRANITE STONES BEGIN TO SWEAT, PART 1 OF 4

#19: EXTREMES OF CALIFORNIA DREAMIN’

#18: EMBRACING THE HUMAN SPIRIT

#17: “HE IS NOT IN THE OFFICE AT THIS TIME.”

#16: ARCHITECTURE FOR LEARNING

#15: BE ORIGINAL, BE REMEMBERED

#14: EVERYTHING IS DESIGN

#13: TO ACCOMODATE AND TO DEFER

#12: TRIBUTE: MICHAEL GRAVES INSPIRES (1934-2015)

#11: THE MUSIC OF DESIGN

#10: MUSEUM VS. MUSEUM

#9: “WITH GREAT POWER THERE MUST ALSO COME GREAT RESPONSIBILITY!”

#8: HEATHERWICK DESIGNS EVERYTHING

#7: ARCHITECTURE IS

#6: MODERN FOR THE MASSES

#5: DON’T CALL IT A MALL

#4: …IS IN THE DETAILS

#3: WHY WRITE ABOUT ARCHITECTURE?