#186: ANOTHER BAKER’S DOZEN

#185: WHAT IS ARCHITECTURAL SUCCESS?

#184: THE ROLLER COASTER OF ARCHITECTURE

#183: ARCHITECTURE OF REMEMBRANCE: HOLLYWOOD FOREVER CEMETERY

#182: STUCK IN THE PAST

#181: THE MOST FASCINATING BUILDINGS OF 2023

#180: PRACTICE MAKES PERFECT

#189: MY TOP TEN FAVE ARCHITECTS

#178: THE SUPERNATURAL AND JUST PLAIN WEIRD STUFF

#177: 3D PRINTING: PAST, PRESENT, AND FUTURE

#176: THROWING A CURVE BALL

#175: A STORY ABOUT MODULAR CONSTRUCTION

#174: TEN PARKS OF THE NATION

#173: MODELS AND SUPERMODELS

#172: A DAY AND A HALF IN NEW YORK CITY

#171: AI: BEWARE AND BEWILDERED

#170: STROKES OF GENIUS?

#169: ARCOSANTI: DREAM INTERRUPTED

#168: SINS OF OUR PAST: THE 1871 CHINESE MASSACRE

#167: MID-CENTURY MODERNISM: POINT OF DEPARTURE

#166: FLATTERY OR THEFT

#165: ARCHITECTURE NOT THERE

#164: THE PURPOSE TO REPURPOSE

#163: THE MOST BREATHTAKING BUILDINGS OF 2022

#162: OCMA REVIEW: THE BEAUTY OF EXCESS

#161: AUTHENTICITY AND DISHONESTY IN MATERIALS

#160: THE BRAVERY OF HAYDEN TRACT

#159: 2022 AIA RESTAURANT DESIGN AWARDS: “AND THE AWARD GOES TO . . . ”

#158: LOS ANGELES BAKER’S DOZEN

#157: “BE WATER, MY FRIEND”

#156: ACADEMY MUSEUM OF MOTION PICTURES: PLOT AND CLIMAX

#155: WHETHER IT’S MUSIC, PAINTING, OR WRITING, ARCHITECT ANTHONY POON HAS A STORY TO TELL

#154: WHAT IS YOUR BRAND?

#153: SOCIAL IRRESPONSIBILITY: SCALE AND OPTICS

#152: DESIGNING COMMUNITIES: RISKS AND REWARDS

NUMBER 151 AND FAIA

#150: EGO AND ARROGANCE

#149: NO BED OF ROSES, PART 4 OF 4: CHALLENGES OF THE HUMAN CONDITION

#148: COST OVERRUNS: WTF?

#147: TRIBUTE: RICARDO BOFILL (1939-2022) AND THE ARCHITECTURE OF THE FANTASTICAL

#146: THE MOST STRIKING BUILDINGS OF 2021

#145: THE DEMISE OF MENTORSHIP

#144: THE NECESSARY EVIL OF PLANNED COMMUNITIES?

#143: NO BED OF ROSES, PART 3 OF 4: THE INTEGRITY OF MISTAKES

#142: NEW MEETS OLD: INTENTIONAL ACTS OF DISRUPTION

#141: SEATTLE HEROES AND ICONS

#140: NO BED OF ROSES, PART 2 OF 4: THE FUTURE AND THE ARCHITECT’S CURSE

#139: JORDAN ESTES INTERVIEWS ANTHONY POON: THE WHAT / HOW / WHY’S OF ARCHITECTURE

#138: GORGEOUS—BUT HOW THE HECK DID THAT GET BUILT?

#137: NO BED OF ROSES, PART 1 of 4: PANDEMIC RESPONSE AND THE THREE-LEGGED STOOL

#136: GENERALISTS VS. SPECIALISTS: WHO SUCCEEDS?

#135: WHO WOULD YOU KILL TO SATISFY YOUR CREATIVE EGO?

#134: LIVE LEARN EAT INTERVIEW PART 2 OF 2: RESTAURANTS BY POON DESIGN INC.

#133: THE INFURIATING MYTH OF AN ARCHITECT’S WEALTH

#132: THE THREE-PART SECRET: HOW TO GET SELECTED FOR THE BIG COMMISSION

#131: GOOD OR BAD: THE SUBJECTIVITY OF DESIGN

#130: TO DRAW OR NOT TO DRAW—THAT IS THE QUESTION

#129: THE MOST INTRIGUING BUILDINGS OF 2020

#128: BLURRING THE BOUNDARY BETWEEN ART, SCULPTURE, AND ARCHITECTURE

#127: NEW MASTERS OF THE TRADE

#126: LIVE LEARN EAT INTERVIEW PART 1 OF 2: SCHOOLS BY POON DESIGN INC.

#125: LIGHT AS A BUILDING MATERIAL: SACRED AND SYMBOLIC

#124: THE GIFTERS PODCAST, PART 2 OF 2: PROBLEM SOLVING, PRESENTATION, AND PUBLICATIONS

#123: ARCHITECTS AND INTERIOR DESIGNERS: WHAT TO KNOW

#122: “LET’S ARCHITECT IT!”

#121: LIVE LEARN EAT: A NEW BOOK ON THE WORK OF POON DESIGN INC.

#120: COMING OF AGE IN ARCHITECTURE

#119: IS THE CUSTOMER ALWAYS RIGHT?

#118: THE GIFTERS PODCAST, PART 1 OF 2: ARTS, ARCHITECTURE, AND AUDIENCE

#117: SHIFTING GROUNDS IN ARCHITECTURE

#116: THE ARCH PODCAST, FORM MAGAZINE, 3 OF 3: JAZZ, MISTAKES AND BEAUTY

#115: A JOURNEY THROUGH THE FIVE SENSES

#114: SIX ICONOCLASTS: MARCHING TO THEIR OWN DRUM

#113: ARCHITECTURE DESIGN COMPETITIONS: ARE THEY WORTH IT?

#112: SOCIAL MEDIA IN A WORLD OF #DISCONNECTING

#111: THE MOST SEDUCTIVE BUILDINGS OF 2019

#110: THE ARCH PODCAST, FORM MAGAZINE, 2 OF 3: SACRED WORKS AND COLOR

#109: ART THAT INSPIRES ME

#108: DESIGNING FOR THE ATTAINMENT OF KNOWLEDGE

#107: THE ARCH PODCAST, FORM MAGAZINE, 1 OF 3: STORYTELLING THROUGH ART

#106: GLENSTONE: A CONVERSATION BETWEEN ART, LANDSCAPE AND ARCHITECTURE

#105: PODCAST: DESIGN INFLUENCER GROUP AND THE NEW RULES OF DESIGN & ARCHITECTURE

#104: THE RELIQUARY BUILDING FOR THE 14TH SHAMARPA: RESOUNDING IN SILENCE

#103: LIMITED BY THE TOOLS OF THE TRADE

#102: PODCAST: HOLLYWOOD’S OBSESSION WITH ARCHITECTS

NUMBER 101 AND THE MAKING OF A VIDEO

#100: FLOWER PAINTINGS: INTERVENTION AND SYNERGY

FENG SHUI AND CRYSTALS: THE ART OF INTENTION

COUNTERPOINT: MUSIC AND ARCHITECTURE, PART 2

PODCAST PART 2: MODERN FOR THE MASSES, REVISITED

OUR DESIRE FOR NATURE

BUILDINGS: INTROVERTS VS. EXTROVERTS

BEETHOVEN’S TENTH: IN SEARCH OF PERFECTION

PODCAST PART 1: THE ART WITHIN MUSIC AND ARCHITECTURE

NOT JUST FOR KIDS: THE ART OF COMIC BOOKS

WINDOWS: “EYES TO THE SOUL”

THOSE WERE THE DAYS: POST MODERNISM AND ROBERT A.M. STERN ARCHITECTS

THE ORIGINALITY OF BEING ORIGINAL

SYMMETRY AND THE LIKE

GROWING UP IN ARCHITECTURE

DON’T BE AFRAID OF NEW IDEAS

AWARDS, HONORS AND BRAGGING RIGHTS

KINETIC ARCHITECTURE: THE DESIGN OF MOVEMENT

A SUMMER IN BLACK AND WHITE

THE ADVERTISING OF ARCHITECTURE: THE ARCHITECTURE OF ADVERTISING

TEN THOUGHTS, TEN MINUTES

TIMELESSNESS: THE MANY LIVES OF THE BRADBURY BUILDING

MID-CENTURY MODERNISM: STOP THE INSANITY!

ANTHONY DREAMS OF SUSHI

PLEASE STOP ASKING, “RESIDENTIAL OR COMMERCIAL?”

THE IMPORTANCE OF BEING DAVID E. MARTIN

DESIGN AND DISCOMFORT: SIT AND BE CURIOUS

LEARNING FROM FIGURE DRAWING: THE BIG PICTURE

PETER ZUMTHOR AND ELEMENTAL IDEAS

CROSSOVER: FROM ONE TO THE OTHER

THE NOISE OF ARCHITECTURE

THE JOKE’S ON YOU: HUMOR AND WIT IN DESIGN

AND EVEN MORE AGONY, ANGUISH AND DEALINGS WITH THE CITY, PART 3

THE PERFECTION OF IMPERFECTION IN ARCHITECTURE AND MUSIC

“WIPE THAT SMIRK OFF YOUR FACE”

WHITE ON WHITE ON WHITE

B PLUS VS. A MINUS

WANNA HIRE AN ARCHITECT?

SOME KIND OF BEAUTIFUL

PARAMEDICS IN ATTENDANCE

ARCHITECTURE AS THE LEAD CHARACTER

AND MORE AGONY, ANGUISH AND DEALINGS WITH THE CITY, PART 2

THE BUSINESS WORLD WANTS TO THINK LIKE DESIGNERS

TRIBUTE: HUGH HARDY EXCLAIMS “HAPPY DAY! ONWARD!” (1932-2017)

“IT ALL SOUNDS THE SAME TO ME”

IS TV FOR REAL? PART 2

MY FIFTEEN FAVE BUILDINGS

THE COMPLEXITY OF SIMPLICITY

EIGHT THINGS I LIKE ABOUT ARCHITECTURE

THE MEEK AND THE MIGHTY

THE WORLD FAMOUS FRANK GEHRY AND THE BEST JOB I DIDN’T WANT

GOOD APPLES

BAD APPLES

HALLOWEEN AND ABSTRACT EXPRESSIONISM

THE RELEVANCE OF PERSONAL EXPERIENCE

(DI)STRESSED OUT: LIFE WITH PATINA

STICKS & STONES | STEEL & GLASS : ONE ARCHITECT’S JOURNEY

EIGHT THINGS I DISLIKE ABOUT ARCHITECTURE

SQUEEZING IN THE NEW SFMOMA

WHO THE HECK WAS THIS GUY?

TO BE LOVED

WHO WILL BE MY CLIENT?

SOME OF MY BEST FRIENDS ARE ARCHITECTS

LIFE AND DEATH OF ARCHITECTURE

CELLULOID HEROES

THE WORLD FAMOUS I.M. PEI AND THE BEST JOB I NEVER HAD

ARCHITECTURE FROM A TO Z

MASSACRE AT HARVARD

IS TV FOR REAL?

HERMOSA BEACH FIASCO: ARCHITECTURE OF POLITICS

AGONY, ANGUISH AND DEALINGS WITH THE CITY

JAZZ-LIKE: THE CURIOUS THING ABOUT STYLE, PART 2 OF 2

MY EARS ARE RINGING

MYTH OF THE PREFAB HOUSE

A MIGHTY CITY FREEZES OVER, PART 2 OF 4

DIN TAI FUNG: I’LL TAKE TWO

THE CURIOUS THING ABOUT STYLE, PART 1 OF 2

PETERSEN AUTOMOTIVE MUSEUM: ARCHITECTURE OF THE GROTESQUE

JOURNAL ENTRIES FROM THE LIFE OF DESIGN

ALLURE OF AN ARCHITECT’S OFFICE

THE ROAD TO FRANK GEHRY: WHAT HAPPENED AT LACMA?

GRANITE STONES BEGIN TO SWEAT, PART 1 OF 4

EXTREMES OF CALIFORNIA DREAMIN’

EMBRACING THE HUMAN SPIRIT

“HE IS NOT IN THE OFFICE AT THIS TIME.”

ARCHITECTURE FOR LEARNING

BE ORIGINAL, BE REMEMBERED

EVERYTHING IS DESIGN

TO ACCOMODATE AND TO DEFER

TRIBUTE: MICHAEL GRAVES INSPIRES (1934-2015)

THE MUSIC OF DESIGN

MUSEUM VS. MUSEUM

“WITH GREAT POWER THERE MUST ALSO COME GREAT RESPONSIBILITY!”

HEATHERWICK DESIGNS EVERYTHING

ARCHITECTURE IS

MODERN FOR THE MASSES

DON’T CALL IT A MALL

. . . IS IN THE DETAILS

WHY WRITE ABOUT ARCHITECTURE?