There is a fascination with how an architect, in a single first sketch, can capture the entire concept of a proposed project. Is such a sketch evidence of inspired genius blasted onto paper within seconds vs. a mere doodle of no concern vs. smoke-n-mirrors and good salesmanship?
Italian-American architect Paolo Soleri (1919-2013) envisioned an experimental artist colony known as Arcosanti, The Urban Laboratory. Soleri’s ideas of “Arcology,” a combination of architecture and ecology, created a walkable, compact, hillside town, which counters urban sprawl and eliminates the reliance on cars. To what extent has the vision been realized? What is the message/myth/marketing vs. reality?
It is often said that history is cyclical; when humanity disregards the lessons of the past, we are doomed to repeat it. Racism against Asians has been on the rise. Individuals continue to be under threat. As a society, we have not learned from past failures, and we are bearing witness to history repeating itself. Round and round, the past returns to haunt us. This destructive circle must be broken. If not, history has taught us nothing, and the past, which has become the present, will continue into our future.
100,000 attendees descended on Palm Springs last month for Modernism Week 2023, the 10-day design festival celebrating Mid-Century Modernism (“MCM”). As a feature lecturer, I presented The Myth of Mid-Century Modernism—positing we honor the design style of the 1950s and 1960s, but should not embalm it. For the thousands of MCM fans and fanatics, my position was blasphemous of sorts.
Often, two separate architectural projects by two separate architects appear similar. Sometimes too similar. Hmmm . . . it is simply a coincidence, did one design inspire the other, or has an idea been “appropriated”? In other words, stolen.
Looking at a building of subtlety, I sometimes say, “I don’t get it. Nothing to see here.” Then I realize that this might be the point. My next thought revolves around the art movement of the 60s and 70s known as Earthworks. I have always been fascinated by these elemental compositions, less the ecological agendas and more the drama in their abstraction and mystery. Over the decades, Earthworks influenced contemporary architecture, resulting in structures looking more like Minimalist sculptures and less like buildings.
