As earthquakes and fires challenge our complacency, as a decade concludes, the design industry confronts transitions and shifting grounds. No, not trends in popular paint colors. And not faux-Cape-Cod homes on the west side. Architecture is one of the few remaining noble fields where those who choose to participate do so because architecture has the capacity to change the world.
Carol Bishop: Can you name any of the projects from the past or any projects that are around that you just said, “Wow, I think this is a great one and I think I’ll try something to meet that same criteria”?
Anthony Poon: There are a number of architects that inspire us, but for me, my architecture is not inspired by necessarily other buildings or architects’ work. I find my inspiration in my other interests, music for example or writing.
Whether a house, school or church, the most successful works of architecture go beyond merely what it looks like. With a restaurant for example, the design must surpass the exercise of picking things, such as the stone for the bar counter, tile pattern on the floor, or fabric of the banquette. As a comprehensive cohesive experience, architectural design is more than the materials you see and touch. Architecture is a journey through all the five senses.
There are the Usual Suspects, and we all know who they are. Featured on our magazine covers, these architects take home the big-name awards, are invited to international competitions, and cash in on their prestigious commissions. Then there are those creative minds that march to their own drum, exploring ideas that resound privately in their head. Rarely in the zeitgeist of the mainstream, these architects flourish in bizarre ways and have tremendous influence.
The design competition is both an opportunity and a trap, both worthwhile and something from which to run away. Frequently, clients establish a competition where architects are invited to submit free ideas for the hopeful chance of being victorious, winning a commission of a lifetime, and immediately be thrown into the glorious spotlight of worldwide acclaim. But beware.
Is there purpose in social media for the industry of architecture? I have heard about the exposure an architect can get from incessant posting on Instagram, Facebook, Linked In, etc. But as colleagues brag about numerous followers and subscribers, I ask several questions: What is the currency of Insta followers? Is there tangible value beyond bragging rights? If anyone can simply buy anonymous followers (as in fake), does it matter whether you have 1,000 subscribers or 1 million?