Architecture can—and most definitely should—be artistic. Masterpieces such as both Guggenheim museums, in New York City and Bilbao, Spain, are called “works of art” by pretty much everyone. Interesting that a legendary work of art such as the Monet’s Water Lilies would never be referred to as an exquisite “work of architecture.” Some sculptures on … Continue reading BLURRING THE BOUNDARY BETWEEN ART, SCULPTURE, AND ARCHITECTURE
Before the advent of technology, architects used tools that supported their Old School activities, like sketching and making physical models—all done by hand. Today, items such as a T-square, circle template, or X-acto blade have been replaced by tools of our digital age, for example, Revit and 3D printing. Yet, most of our leading designers—consider the practicing Pritzker Prize laureates—are only familiar with their old tools of the trade. Limited even.
Christine Anderson: Thank you for joining us today for a lively talk about a fabulous new book on the work of architect and artist, Anthony Poon, entitled Live Learn Eat. Our author, the noted architecture and design writer, Michael Webb, knows a good deal about living, learning, and eating—as he has traveled all over the world and has written a new memoir called Moving Around: A Lifetime of Wandering. Let’s take a deep dive into the design world of Anthony Poon.
In the design of religious buildings, whether a Christian church, Buddhist temple, or Jesuit convocation center (we’ve done all three), the element of light is one of the most critical design aspects. Whether natural or artificial, light can be a building material—elemental to sacred architecture.
Please enjoy more excerpts from Christopher Kai’s podcast series with me, The Gifters: Your Story is a Gift to the World.
Christopher Kai: If you do not share your voice, your voice won’t be heard, and if your voice isn’t heard, you’re never really going to do what you say you want to do. What do you think architects know that other people might not, relative to the thinking process?
When architects and interior designers work together, there are four things to know. (This article is an excerpt from my lectures at UCLA Extension, architecture and interior design department with professor Eleanor Schrader.)