It must be asked: What is good architecture? What is bad architecture?
A 3rd century B.C. Greek adage has become the seminal motto, “Beauty is in the eye of the beholder.” But who are these “beholders”? And is architecture subjective—to be determined on a case-by-case basis by whoever is beholden, whoever is the random casual visitor?
To capture the spirit of a proposed architectural design, the human hand once held a pencil. For better or for worse, that same hand uses a computer these days.
Long before the advent of technology, architects drew by hand—ink on paper, for example. Sometimes meticulous and detailed, other times expressive and abstract—handmade presentations communicated the design vision for a client.
As I stated at the close of 2019, I avoid “The Best of” list, because I don’t know how to define “the best.” For the end of 2019, I instead listed ten worthy projects that fit my list of The Most Seductive Buildings. For the end of 2020, the operative adjective is intriguing.
To intrigue is an act of arousing one’s curiosity or interest—to fascinate. Being intriguing can be illicit or titillating. In no particular order, I list below ten projects from last year that intrigue, enthrall, and captivate.
Architecture can—and most definitely should—be artistic. Masterpieces such as both Guggenheim museums, in New York City and Bilbao, Spain, are called “works of art” by pretty much everyone. Interesting that a legendary work of art such as the Monet’s Water Lilies would never be referred to as an exquisite “work of architecture.” Some sculptures on … Continue reading #128: BLURRING THE BOUNDARY BETWEEN ART, SCULPTURE, AND ARCHITECTURE
Before the advent of technology, architects used tools that supported their Old School activities, like sketching and making physical models—all done by hand. Today, items such as a T-square, circle template, or X-acto blade have been replaced by tools of our digital age, for example, Revit and 3D printing. Yet, most of our leading designers—consider the practicing Pritzker Prize laureates—are only familiar with their old tools of the trade. Limited even.
Christine Anderson: Thank you for joining us today for a lively talk about a fabulous new book on the work of architect and artist, Anthony Poon, entitled Live Learn Eat. Our author, the noted architecture and design writer, Michael Webb, knows a good deal about living, learning, and eating—as he has traveled all over the world and has written a new memoir called Moving Around: A Lifetime of Wandering. Let’s take a deep dive into the design world of Anthony Poon.
