THE MOST INTRIGUING BUILDINGS OF 2020
Phoenix Central Park, Chippendale, Australia (Right photo by Martin Mischkulnig; left photo by Julia Charles)
As I stated at the close of 2019, I avoid “The Best of” list, because I don’t know how to define “the best.” For the end of 2019, I instead listed ten worthy projects that fit my list of The Most Seductive Buildings. For the end of 2020, the operative adjective is intriguing.
To intrigue is an act of arousing one’s curiosity or interest—to fascinate. Being intriguing can be illicit or titillating. In no particular order, I list below ten projects from last year that intrigue, enthrall, and captivate.
1: For this shopping center in Korea’s Gwangyo, OMA explores the Grotesque. Like Beethoven countering Mozart’s premise that music is supposed to be pretty and lyrical, architect Rem Koolhaas has created something ugly and even frightening, yet extraordinary—beautiful in its own unabashed way.
2: A single poetic gesture from architect Ryue Nishizawa graces this promontory in Los Vilos, Chile. The shaped concrete roof of a weekend house is as graceful as the Pacific Ocean waves. The glass walls embrace the limitless surroundings and deliver a small structure as a gift to Mother Nature.
3: 14,600 triangular panels, each 3 feet by 7 feet, recall flowing silk, as well as nod towards Guangzhou’s tattoo culture. The design of the Sunac Guangzhou Grand Theatre honors the district’s history as a trading port, the Silk Road on the Sea, through the wavy skin of tessellated red aluminum panels, by Steven Chilton Architects.
4: At the D.C. Kennedy Center for the Performing Arts, with this project known simply as the Reach, Steven Holl Architects created building additions that blur the lines between architecture, art, sculpture, and landscape. As oddly shaped toy-like pieces, the new performance, rehearsal, and education components sprinkle themselves across a sculpted green lawn on the Potomac.
5: Dedicated to the French fashion designer, Yves Saint Laurent, the 40,000-square-foot museum presents over 20,000 items of couture clothing and accessories, including drawings and sketches. Elegant throughout, as are Laurent’s clothing designs, the building by Studio KO explores the patterning and texture of brick as if a woven fabric. Sophisticatedly and with understatement, architecture and fashion collide in Marrakesh, Morocco.
6: An unexpected addition to the housing market of Beverly Hills, MAD’s residential building speaks to us like a layered cake. With retail and commercial components on the bottom wrapped by a living wall in the middle, the structure is topped off with a rooftop village of eighteen houses, each expressing its own gable form. Conceptual strong, the resulting mixed-use project succeeds through the committed execution of a simple diagram.
7: The Naila House in Puerto Escondido, Mexico, explores the iconic phrase, “less is more.” Architect BAAQ’ composed this house in a cross-shaped courtyard arrangement of four volumes, with airy facades facing the Pacific Ocean. Contrasting the weight of the concrete plinth, vernacular wood screens and walls allow the home to breathe and connect to the rocky landscape and nearby beach. Ignoring the typical comforts of home, the simplicity of the design challenges our architectural complacency.
8: A captivating creation of wings and courtyards with more wings and courtyards within, the Shou County Culture and Art Center expresses the old square-ish town surrounded by city walls. Drastically different from the above courtyard project in Mexico, this project by Studio Zhu-Pei, handsomely composed and forcefully intimidating, contains within each courtyard the energy and diversity of the historic Ahui Province and Huai River.
9: By ARCHSTUDIO, my third courtyard project on this list is a renovation of a Beijing residence with seven pitched-roof buildings. Old meets new not seamlessly in aesthetic and structure, but seamlessly in experience, thoughtfulness, and Feng Shui. Modern materials and fabrication methods, such as curved glass and cantilevers, confront dilapidated wooden beams and arched doors.
10: (See first image and above.) The unconventional sensuality of conventional materials define the Phoenix Central Park, by Durbach Block Jaggers Architects and John Wardle Architects. A 13,000-square-foot visual and performing arts center supports the ongoing transformation of an ignored inner-city suburb in the Chippendale neighborhood of Sydney. Billionaire client and art collector, Judith Neilson, demanded “a total work of art” from the two collaborating design studios.
(For the list of my all-time 15 favorite buildings, visit here.)