Tag Archives: SYNERGY

FLOWER PAINTINGS: INTERVENTION AND SYNERGY

May 10, 2019

Yard Sale, 16” x 20”, July 2018

Most of my life, I have been painting. At age five in my parent’s San Francisco house, I painted an extensive landscape mural from the entry hall up the stairs—without permission or notice. My mother and father were excited, but not pleased—a parenting dilemma of pride and scolding. At age ten, I was invited by my elementary school to paint a larger-than-life Captain America on the courtyard wall. So many years ago, I preceded today’s fanaticism with the Marvel Cinematic Universe.

For the past year, I have been exploring painting as an activity of searching, finding and intervening.

Flea Market Red, 27 ¼” x 31 ¼”, October 2018

My recent creative endeavors start with non-scientific searches at neighborhood garage sales, flea markets and second-hand stores. I seek traditional paintings, the classical still life of flowers in a vase. Also, I hope to find such paintings in their original period wood frame—the gilded, ornate, tacky frame. I have been fortunate finding many of these discarded paintings, and only for a few bucks.

Another Yard Sale, 19” x 23 ½”, July 2018
Detail of Fairfax Market Green, 26 ¼” x 30 ¼”, November 7, 2018

My first step of intervention is to tear out pages from my book, Sticks and Stones, Steel and Glass , and decoupage the pages onto various corners of the old flower painting. I do not stop at the limits of the canvas. In my art, I have always been fascinated in including the frame as part of the canvas. The pages and scraps from my book find themselves creeping up and over the aged wood frames.

I then create textures and hues with light acrylic washes. Following this is a signature gesture of mine, to give the subject of the painting an aura. Around the flowers and vase, I paint a halo or glow, as if to give new life. On top of this composition, I splatter gesso and drippings of tinted resin.

Detail of Flower Girl, 20 ½” x 24 ½”, September 2018

The result is an eccentric but visually dynamic work of juxtaposition. Colors, shapes and patterns from two different time periods collide—the original artist’s past and my present. Various mediums and techniques blur. Representation and abstraction coincide.

Garage Sale, 21” x 25”, February 2018

The visual noise invites the visitor to move back and forth, in and out, as she attempts to focus and grasp the mixed-media work. The visitor will appreciate the original flowers for a few minutes, before a splash of color draws his attention beyond the canvas. Then the viewer’s eye will be pulled into reading the words from my book. But some portions are illegible as a glob of gesso obscures the words. And so on. And so forth.

Detail of Habitat Flowers, 14 ½” x 17”, July 2018

This approach has created a few dozen works, with many variations on my premise. As I create, I am not sure if I am thinking about my approach to painting, or my approach to each day of my busy existence. But I like the unexpected collisions that result in new ideas. I like serendipity  and the unscheduled joys that typically would be undiscovered. I like that sometimes, risks must be taken, and it is okay to crash and burn. And I like knowing that timing and chance is everything, and perhaps I happened to finally get it right for this one moment of the day, or for this one painting.

The latest evolution of my explorations, Skull Painting, 44” x 52”, May 2018
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