Tag Archives: PUBLIC PLAZA

#221: L.A. LIVE TRANSFORMED

March 13, 2026

Chick Hearn Court, by Poon Design, looking west with Crypto.com Arena on the left (photo by Bradley Wheeler)

It started with a study of adding lamp posts in downtown Los Angeles. It ended up with Poon Design, AEG, and a team of consultants transforming a six-lane, 1/3 mile long vehicular thoroughfare into a public plaza of 250,000 square feet.

L.A. Live highlighted within downtown Los Angeles (background photo from Google Earth)

As the name describes literally, L.A. Live is a premiere destination for live entertainment in Los Angeles, owned and operated by AEG (Anschutz Entertainment Group), a global sports and entertainment company. Between Crypto.com Arena (home of the Los Angeles Kings and Lakers) and Peacock Theater, and adjacent to the Ritz-Carlton, JW Marriott, and the L.A. Convention Center—sits our Chick Hearn Court, a neighborhood street.

Previous Chick Hearn Court as a six-lane vehicular street (photo by Poon Design)
The new Chick Hearn Court as a civic plaza, by Poon Design (photo by Bradley Wheeler)

The previous condition never made sense to me: 20,000 celebratory (drunk?) sports fans pour out of the arena and are confronted by cars rushing by the venue’s front door. It’s like directing a highway through Disneyland. The visitors to L.A. Live’s events, restaurants, shops, bowling alley, cinema, and museum deserve something more, and not just safety—rather, something transformative, deserving for those who have dubbed L.A. Live the “Times Square of the West Coast.”

The first step of AEG’s design agenda closed this road to automobiles. But not simply eliminating the street. Through an enormous amount of concrete, the entire road was raised 6 inches to be flush with surrounding curbs and sidewalks, removing all vestiges that this thoroughfare was once for cars. Standard city asphalt was covered over with colored patterned concrete and trees by landscape architect, RELM Studio, in collaboration with civil engineers, KPFF and FPL  and built by PCL Construction.

One of many concepts explored: a dozen arched trusses diagonally march down the new Chick Hearn Court, by Poon Design

Initially, the proposed lamp posts for this new public space were modest, providing mere illumination and housing speakers and security cameras. After Poon Design presented several radical options to AEG—from a dozen 100-foot arches to giant angels based on L.A. Live’s logo—it became clear that such lamp posts should do much more than address functional requirements.

A design option: Two pairs of steel angels, 130 feet tall each, greet visitors at both east and west end of the new Chick Hearn Court, by Poon Design.

Our creative agenda became heroic and grand, more urban in scale, philosophical even. Our posts became ambitious towers that framed open space and defined social areas—signaled an unknown but welcoming future.

Preliminary rendering showing a dozen twisting media towers at the new Chick Hearn Court, by Poon Design

Our 10 twisting media towers (three at 58’ tall and seven at 37’)—blend architecture, sculpture, art, technology, and urban design. The towers march down the re-envisioned Chick Hearn Court—from awkward street to public plaza—adding rhythm and beat. With eight 13’ x 23’ curved digital screens by Anthony James Partners and everchanging LED lighting design by ME Engineers—media, advertisements, and visual arts flood the space with entertainment.

left: Model studying a twisting box truss, by Poon Design (photo by Poon Design); right: Chick Hearn Court, by Poon Design, looking west with Crypto.com Arena on the right (photo by Bradley Wheeler)

Infilled with an expanded metal mesh exterior, the box-truss towers spiral upward—a challenging feat of engineering and fabrication accomplished by project partners, LA Propoint and JAMA. The three tallest towers frame the most active area of L.A. Live, a zone that greets the tens of thousands of attendees for a concert by say, Bruce Springsteen, Foo Fighters, or Taylor Swift—or perhaps a Lakers/Kings game.

Chick Hearn Court, by Poon Design, looking west (photo by Bradley Wheeler)
Chick Hearn Court, by Poon Design, looking northwest (photo by Anthony Poon)

We have added to the urban fabric of Los Angeles, contributed bold ideas both at a people and city scale. Akin to the installation known as the LAX Gateway—a ring of 15 color-changing glass towers that welcomes visitors to the Los Angeles airport—our project at L.A. Live welcomes visitors arriving to the heart of downtown.

Chick Hearn Court, by Poon Design, looking southeast with Crypto.com Arena in the background (photo by Bradley Wheeler)

#32: HERMOSA BEACH FIASCO: ARCHITECTURE OF POLITICS

March 25, 2016

Suspended steel and wood fishing platforms offer a unique experience above the ocean, under the existing concrete pier, Hermosa Beach, California, by Lombardi/Poon Architects

My first public commission—I learned how difficult life as an architect would be. A decade-long saga of city politics, professional contradictions, and the theft of my intellectual property taught me to fight.

My design partner, the late Greg Lombardi was 30. I was 29. Calling ourselves Lombardi/Poon Architects, our shingle was barely even hung when we entered an international design competition organized by The American Institute of Architects (“AIA”). The city of Hermosa Beach sought an architect with a vision for the redesign of their waterfront and pier.

In contrast to the proposals for hotels, shopping malls and amusement parks, our design was simply a graceful open space that gathered together the city, beach, ocean, sun and horizon.

Greg Lombardi and me, first of hundreds of local and national articles, Daily Breeze, 1993
Greg Lombardi and me, first of hundreds of local and national articles, Daily Breeze, 1993

It was a miracle. Lombardi/Poon Architects won! We beat out everybody—competitors from around the world, architects twice and thrice our senior.

But this was just the start of a staggering journey, a trial by fire.

After the celebration presenting Greg and me to national media outlets, before we got to bask in my triumph, the city council of Hermosa Beach stripped us of our win. The council proclaimed that they themselves should choose the winner, not the AIA. That the city’s public dollars were being spent, it seemed logical that the council should have a say in the winner.

It was a devastating blow. How would we win a second time? The council members were politicians from various business backgrounds—not architects of the AIA. The original competition was reviewed by experts who were qualified to assess abstract design concepts and read technical drawings.

In the end, Lombardi/Poon swooped up my second miracle, against hundreds of competitors. We won, again! We shook hands all over again, stood for press conferences again.

But.

Development of our design could not start. The citizens of Hermosa Beach rumbled—wanted their vote for the winning architect. Understandable, it’s their waterfront and pier. Our design was to go before a public vote by the town.

Public plaza sloping down to the beach and up to the horizon, with renovated lifeguard tower, palm trees in an elliptical arc, bike path, and ribbon-like metal canopy
Public plaza sloping down to the beach and up to the horizon, with renovated lifeguard tower, palm trees in an elliptical arc, bike path, and ribbon-like metal canopy

Stripped once again of the win, I now witnessed my future: the ups and downs of a rollercoaster journey to come. The destiny of the project moved down the line from a professional AIA jury, to a layperson group of elected officials, to now, people who were even further from understanding architectural drawings.

A third miracle. Lombardi/Poon won once again! The people of Hermosa selected us as the architect, one year since our initial victory.

However.

With how state funds are to be spent, Hermosa had to validate their fiscal responsibility. Legislative requirements forced Hermosa to invite any and all architects to interview for the job—for our job that Greg and I already won several times—on which we were already working.

We now had to interview against senior companies, and the city council’s job was to look at credentials, not creativity. I could feel that the outcome would swing to a firm who, on paper, would be more qualified to develop our project.

I had to fight for my opportunity as I would have to again and again over the long architectural haul of a career. My plan? Engage a structural engineer who had such depth of experience that he would make my inexperience go unnoticed.

Public space, new palm trees, pier canopy, and optional glass skin for renovated lifeguard tower to reflect the water, sky and sun (watercolor by Al Forster)
Public space, new palm trees, pier canopy, and optional glass skin for renovated lifeguard tower to reflect the water, sky and sun (watercolor by Al Forster)

This idea failed horribly. During the public interviews, my saving grace of retaining an engineer of age and gravitas proved to be my worst mistake.

He took to the microphone, presented himself, stating in his best salesperson-like booming voice: “We are so excited to be considered by HUNTINGTON Beach.”

Greg and I cringed. Hermosa Beach, you idiot!

This was akin to a rock band thanking Milwaukee, when they were on stage in Cleveland. Like shouting “Go USC” at a UCLA game. Calling your spouse by the wrong name. You get the drift.

Our misguided engineer continued, live on television: “We would love to work with Huntington Beach. Huntington Beach would do so well to have our skills.” Huntington this and that.

No surprise, Lombardi/Poon Architects loss the project that we created and won several times over.

And it got worse.

New fishing platforms and ribbon-like metal pier canopy
New fishing platforms and ribbon-like metal pier canopy

A large corporate company from Irvine won the contract to develop Greg and my project. And in an unethical turn of events, this company sought to steal our design and credit its creation as their own. I received a letter that had a legal tone to it. The company’s founding partner declared that the Hermosa Beach project now belonged to him. Furthermore, he asserted that he might mention our names in the future, “if he so desired and at his convenience.”

This arrogant asshole was steamrolling over us, two fresh young architects two years into their first public commission. The senior architect’s malicious actions constituted theft—shoplifting of Lombardi/Poon’s intellectual property.

Master plan for waterfront and pier
Master plan for waterfront and pier

I took the first step of a ritual that so many adults do through out their life: I called a lawyer. It would be my first time, but not my last. Unfortunately, my attorney assessed that this Irvine architect could legally do everything he claimed.

I decided to visit face-to-face with this self-important jerk of an architect. Presenting the recognition from Hermosa Beach, the hundreds of articles crediting Greg and me, and our recent AIA design award for this project, I made clear his unethical actions. I don’t know if he felt guilty, or if he no longer cared, or maybe he was impressed with my tenacity. He apologized for his nasty letter.

Year three: here is where the end begins. The project loss its funding, due to the political delays. Only the first phase of our vision was developed and completed. By me.

Lifeguard tower renovated to bring in maximum natural light and ocean breezes, as well as allow views and access to the beach for safety
Lifeguard tower renovated to bring in maximum natural light and ocean breezes, as well as allow views and access to the beach for safety

EPILOGUE: I ran into the horrible founding partner ten years later. Of course, he did not recognize me. I re-introduced myself, and his posture displayed embarrassment. Looking worn and exhausted, he appeared as if architecture defeated him. For this little man, I had no feeling one way or another.

As I drove home that afternoon, west towards the ocean, I acknowledged my ambition and resolve. And I buckled my seat belt for more challenges to come in this career of lunacy called Architecture.

© Poon Design Inc.