“WITH GREAT POWER THERE MUST ALSO COME GREAT RESPONSIBILITY!”
Covers of Time: Wright, January 17, 1938, Saarinen, July 2, 1956, and Le Corbusier May 5, 1961
Are architects celebrities? Are they rock stars? Do “Starchitects” exist amongst mere mortals?
Years back at UCLA, I attended a lecture by Pritzker Prize, Dutch architect Rem Koolhaas (my Harvard professor). Endless crowds lined up all day in advance for the evening performance. Upon opening the doors, the large auditorium was full in seconds. The organizers opened up two additional auditoriums with the lecture to be broadcast on screens. All this, and masses of people still could not fit in the venues. Front row: Brad Pitt, Martha Stewart, Dianne Keaton, Michael York, Vidal Sassoon, and other design fans and fanatics.
Further years back at UC Berkeley, I attended a lecture by AIA Gold Medalist, New York architect Michael Graves. Similar thing. Hundreds, perhaps thousands, of people showed up trying to squeeze into a college lecture hall. Hoping to graze his shroud. Hoping to bask in god-like enlightenment.
I am not proposing that an architect could fill a stadium like Taylor Swift, a concert hall like Lang Lang, an arena like Jordan, or a theater like Baryshnikov. Rather, I am impressed with and a little weary of the influence that some architects possess by simply standing at a podium with a PowerPoint of their latest projects, anecdotes and social theories.
With his world travels and outrageous behavior, perhaps Frank Lloyd Wright was the first Starchitect. But Ancient Greece had Mnesikles. The Renaissance had Michelangelo. The British Crown had Wren. Modernism had Le Corbusier. And he, alongside Wright, Eero Saarinen and Mies van der Rohe graced the covers of Time magazine.
Sure, the spotlight is flattering. The ego is stroked, as an architect’s head inflates larger and larger.
But all this said, being an architect comes with responsibilities. Some responsibilities are obvious and some, not so obvious: provide buildings for shelter, provide a roof that won’t collapse on your head, provide beautiful structures that will stir and inspire, provide creative designs that will support the evolution of cities, and provide tremendous visions that will challenge a nation’s cultural complacency. Architects have a voice. By mere role playing, we are provided a soap box to stand on, wave our hands, wail profound statements—and hope to affect education, social policies, and the spirit of our time. Our zeitgeist.
In several venues, we have influence. As comic book writer Stan Lee declared in 1962, “With great power, there must also come great responsibility!”
This responsibility may be, at one end of the spectrum, designing homes for the homeless or hospitals in third world countries. At another end of the spectrum, the responsibility can be in designing with awareness for children, the handicap or the aging. Or working with non-profit organizations. Or being a steward for the environment. Or rebuilding a city after a natural disaster.
In 1968, civil rights leader Whitney Young directly insulted and challenged architects at a national convention in Portland, Oregon with this, “You are not a profession that has distinguished itself by your social and civic contributions to the cause of civil rights . . . You are most distinguished by your thunderous silence and your complete irrelevance.” Fire in the belly of architects, a battle was waged.
We can choose to be a celebrity in the limelight or we can choose to change the world quietly. Either way, we must choose responsibly.