Tag Archives: REVIT

NEW MASTERS OF THE TRADE

December 4, 2020

Ashen Cabin, Ithaca, New York, by HANNAH (photos by Andy Chen, HANNAH)

Before the advent of technology, architects used tools that supported their Old School activities, like sketching and making physical models—all done by hand. Today, items such as a T-square, circle template, or X-acto blade have been replaced by tools of our digital age, for example, Revit and 3D printing. Yet, most of our leading designers—consider the practicing Pritzker Prize laureates—are only familiar with their old tools of the trade. Limited even.

Galleria Department Store, Gwanggyo, South Korea, by Rem Koolhaas, OMA (photo by Hong Jung Sun and OMA)

Though such famous individuals have a staff engaging current technology on a daily basis, I suspect these big name architects do not personally design with apps like 3ds Max and Maxwell. I doubt Rem Koolhaas, Frank Gehry, and Peter Zumthor are writing parametric algorithms on their laptops, or creating virtual structures through Building Information Modeling. These architects probably still use pencil on paper.

Dr Chau Chak Wing facility for UTS Business School, Sydney, Australia, by Frank Gehry (photo by Chris Charles)

Meaning, if one person starts the process and others continue it, there is a disconnect between the original concept and its development. The principal architect maybe the creator at the start, but for the remainder of the process, he is but a critic, watching others create in his place, fleshing out ideas with the highest technology available.

Eventually, this disconnect will be gone, and the new processes will generate different results. The 30-something architect, who uses Grasshopper and Viz Render, will soon become the industry veteran. Then, the same mind and hands will work on the project from inception to completion. No disconnect. These future thought leaders will find no need to have others continue in lieu of an old-guy-boss lacking certain industry standard skills.

Villa in Devon, England, by Peter Zumthor (photo by Jack Hobhouse/Living Architecture)

What will the industry and the resulting architect look like when these younger architects, who are facile in all the current tools of today, become the world famous designers? When the disconnect is gone, structures will be designed differently, constructed differently, and look different in the end. There will be notions, materials, and methods not even thought of yet.

Ashen Cabin, Ithaca, New York, by HANNAH (photos by Andy Chen, HANNAH)

This recently completed house in Ithaca, New York, is a stellar work of sustainable thinking, digital design, and fabrication technologies. Using 3D scanning and robotics, the architects transformed a material typically wasted—infested Ash wood—into an exciting building material. Readily available, affordable, and green. Other innovations include the 3D-printed, concrete, feet-like base of the cabin.

Cork House, Berkshire, England, by Matthew Barnett Howland, Dido Milne, and Oliver Wilton (photos by Matthew Barnett Howland, Dido Milne, and Oliver Wilton)

Another example of new minds and methods is the Cork House in Berkshire, England. The architectural pioneers offered a design of 1,268 cork blocks sustainably harvested from the bark of a cork oak tree. The blocks are intended to be efficiently dismantled and reused—or recycled. Both walls and roof comprise this single bio-renewable material. With a structure of engineered timber, the cork modules require no glue or mortar, while providing insulation to the house.

Merriam-Webster defines “brave new world” as “a future world, situation, or development.”

EIGHT THINGS I DISLIKE ABOUT ARCHITECTURE

September 2, 2016

1893 Chicago's World Fair, Illinois

ONE

Clients who change their minds every other day. I get it; it’s their project and it’s their money. They are the customers, and I would not have a business without them. But I am hired to be the design authority. So why is all my expertise cast aside, only to have me arbitrarily move a wall six inches in one direction, then three inches in another direction, then back to the original position—and then, do this again 20 more times over months?

Figure drawing by Anthony Poon
Figure drawing by Anthony Poon

TWO

The business of architecture. To have work, I have to market the company— promote, promote, promote. I also bill clients, pay insurance and rent, manage finances, execute contracts, and take care of payroll and taxes. Being an entrepreneur and sole proprietor, such are mandatory activities, but they interfere with doing what I love: to draw, design and create.

THREE

Technology that has overtaken artistry and imagination. Computers are powerful and convenient. I can’t imagine my business without them, but they are just one of many tools. Some architects have forgotten how to use their hands, their eyes, and their souls. And some clients believe (incorrectly) that simply with the use of a computer, architects should be able to do more work and do it faster.

Revit file for mixed-use project, Los Angeles, California, by Poon Design
Revit file for mixed-use project, Los Angeles, California, by Poon Design

FOUR

The frightening responsibility of what I do. Poorly selected kitchen cabinets might compromise the aesthetics of a house, but an incompetent design of fire exits for 10-story student dormitories is a life and death matter.

Northwest Campus Student Housing, University of California, Los Angeles, by Anthony Poon (w/ HHPA, photo by Michael Moran)
Northwest Campus Student Housing, University of California, Los Angeles, by Anthony Poon (w/ HHPA, photo by Michael Moran)

FIVE

Interior decorators who call themselves interior designers, as if to suggest these decorators shape architectural space, structure and light. Whether decorator or designer, why is it that they (alas, many of my friends are interior decorators/designers) garner higher pay than architects? Is selecting the right hue for a pillow sham as significant as my design for a high school?

Pacifica Christian High School, Culver City, California, by Poon Design
Pacifica Christian High School, Culver City, California, by Poon Design

SIX

Red Tape: working with the bureaucracy of city agencies to obtain approvals, even for the simplest of things. I do appreciate the need for the Department of Building and Safety to protect us against the unscrupulous and derelict, but I am neither unscrupulous nor derelict. I have better things to do than spend hundreds of hours waiting in line to submit a soils report, only to be rejected because today is the staff party for their July birthdays, and the counter has abruptly closed.

SEVEN

Bleeding for the art. Architecture is a struggle, and if it was easy, we probably wouldn’t be interesting in doing it. But most architects work way too hard, struggle too much. Pritzker-awarded Rafael Moneo once told our class not to worry. Without missing a beat and in all seriousness, this head of Harvard’s architecture school declared, “You have more than the five calendar days left to complete the project; you have ten days. Five days and five nights. Do not sleep!”

Murcia Town Hall, Spain, by Rafael Moneo (photo from metalocus.es)
Murcia Town Hall, Spain, by Rafael Moneo (photo from metalocus.es)

Fountainhead-WebEIGHT

The ego of some architects with their overly curated philosophical platforms laced with intellectual superiority. Architects, charged with solving design challenges with innovation and efficiency, do have a vital role in society. But are we rock stars? Are we “Starchitects?” I often wonder whether Ayn Rand was serious about the greatness of architects, or was she simply elbow jabbing the profession, slyly mocking us.

© Poon Design Inc.