Tag Archives: ALCATRAZ ISLAND

WHO WOULD YOU KILL TO SATISFY YOUR CREATIVE EGO?

May 21, 2021

Book cover design by Anthony Poon (photo by Anthony Poon)

Here’s the pitch for my upcoming novel. “San Francisco cloaked in fog and secrets: Architects are being murdered as they compete for a new museum of art at the notorious Alcatraz Island. This mystery of death and intrigue examines ego, arrogance, and redemption within the creative process. Who will win and at what cost?”

Lands End, San Francisco (drawing by Anthony Poon)

Due to the quarantine, there was a slow down at my office. So, I decided to author another book, entitled Death by Design at Alcatraz. For this blog, as well as other outlets, I have written about design, architecture, art, music, and life. I have published two non-fiction books  (Live Learn Eat  and  Sticks and Stones | Steel and Glass), but I have never taken a serious stab at writing fiction.

My idea was this: an ‘architectural thriller.’ This 350-page novel is a mystery of obsession exploring the heights and depths within the world of architecture. An editor once told me that if I were to try my hand at fiction, it would be best to write what I know. Here are the things I know:

 

 

1.  San Francisco
2.  Architects and clients (good apples and bad apples)
3.  Design competitions
4.  Ambition and ego

The book summary: On a fog enshrouded morning, a world-famous architect plunges to his death off a cliff. Yet, Magnar Jones, billionaire developer, does not allow death to interfere with his twisted agenda. He still has five architects competing for his prized commission: the redesign of Alcatraz Island, the notorious federal prison, into the World Museum of Abstract Art. Magnar’s devious plan? To turn his design competition into a spectator sport, where architects soon find themselves prisoners. Who will succeed—and at what cost?

Book cover (design by Anthony Poon)

The architects in my story are as follows.

–  The Neurotic Entrepreneur: university professor and Post Modernist
–  The Husband-Wife Team: Ivy League-educated
–  The Corporate Jerk: armed with the formulaic resources of a global company
–  The British Dame: pseudo-intellectual arrogance and trust funded
–  The Mid-Century Modern Fanatic: Los Angeles’ flamboyant designer
–  The European Starchitect: dressed in black on black, pretentious master architect

There is also the billionaire Oklahoman Narcissistic Developer Client—vain, egotistical, and talks too much. And of course, his Enigmatic Girlfriend—young “Blondasian” influencer.

Construction scene (drawing by Anthony Poon)

Excerpt, “The setting of Alcatraz is both solemn and beguiling. Surrounding the group sits remnants of old buildings, storied concrete carcasses. Cracks on the island’s tough surface show the arcs of beginnings and ends, both life and death. One fissure hiding under broken glass welcomes a tiny struggling patch of grass, a flourishing survivor in a vast surface of ruined asphalt and compacted dirt. Standing guard, the remnants of the taller buildings peer down upon the visitors and demand that the island is respected. Twisted corroded iron bars protrude from beaten stone walls, as if a child’s cow lick that won’t lay flat regardless of the amount of saliva. The counter balance to this, these disparate elements, is the surrounding icy-cold waters that extend until unseen within a silky veil of fog, which on a luminous enough day, provides a cryptic silhouette of the city docks.”

To be published by Goff Books later this year, Death by Design at Alcatraz includes my hand illustrations introducing each chapter.

Jerri Levi, publisher of FORM: Pioneering Design Magazine endorses, “If you want to learn about the intrigues of San Francisco’s Alcatraz Island and the obsessed architects seeking to imprint it with their own ambitious and deadly stamp, then look no further. A fast-paced and exciting read.

Maybe my next project will be a screenplay about Frank Lloyd Wright. True story: An unfortunate 1914, while Wright was working, his servant set fire to Wright’s Wisconsin residence. The servant bolted all the windows and doors shut. Except for one. As the inhabitants exited through the only escape from the blaze, the servant waited at this open window with an axe. Seven people were brutally murdered, including Wright’s mistress.

(image from The Ogden Standard)

THE GIFTERS PODCAST, PART 2 OF 2: PROBLEM SOLVING, PRESENTATION, AND PUBLICATIONS

September 25, 2020

Steampunk-inspired sketch by Anthony Poon

Please enjoy more excerpts from Christopher Kai’s podcast series with me, The Gifters: Your Story is a Gift to the World. (episode 209). Excerpts from part one are here.

Christopher Kai: If you do not share your voice, your voice won’t be heard, and if your voice isn’t heard, you’re never really going to do what you say you want to do. What do you think architects know that other people might not, relative to the thinking process?

My sold out panel discussion on architecture and music at the Wende Museum with Culver City Mayor, Thomas Small, and architects, Stephen Ehrlich, Whitney Sanders, and Craig Webb from Gehry Partners. I performed Brahm’s Intermezzo in A, Opus 118, No. 2. (photo by Betsy Staes)

Anthony Poon: I think of two things. The first is architects are trained to be problem solvers. They’re trained to examine a broad number of topics all at one time, and look for solutions and options, prototype and test, and do a lot of what the business world is calling Design Thinking. It’s all a skill set that can apply to cooking a meal in your kitchen, to designing a library, to even raising children.

The other thing in architecture—as you talk about communication and presentation—is that though a lot of architects are talented, and though everyone has great ideas in their head, the key part is to be able to tell these stories, to present a narrative. You have to make a convincing presentation to the client, whether it is a husband and wife, board president of a museum, or decision makers at the university. You have to be able to communicate your ideas, and you have to do it convincingly. You have to tell them the why, how it’s important to them, and what the value is that they get out of your design ideas. If you don’t do this well, then you’re just a lonely poet sitting in your bedroom, jotting things down on a private piece of paper, but not getting your ideas out there.

Christopher: You get to create an idea, put it on paper, and then literally see it coming to fruition in an actual building. Tell us a little bit about your book because you’re also an author as well.

Sticks and Stones / Steel and Glass: One Architect’s Journey, by Anthony Poon (photo by Anthony Poon)

Anthony: I have two books published and one in the works. The book that came out three years ago is called Sticks and Stones / Steel and Glass: One Architect’s Journey. It’s a book that was inspired by Anthony Bourdain’s Kitchen Confidential. If you know that book, he reveals the behind-the-scenes stories of running restaurants and the food service industry. I took that model giving a behind-the-scenes look at the architecture world. My book is part autobiographical, part behind the scenes, part rants and raves, and part essays.

The second book is coming out next month on Amazon, called Live Learn Eat. It’s edited by the acclaimed author, Michael Webb, who spearheaded this project. It is a large format book on our architectural work at Poon Design Inc., and there are three chapters. Live presents our ideas about affordable and attainable housing. Learn is a chapter on our work in the education world—designing schools, K through 12 and preschools too. And the final chapter Eat, are our projects in hospitality, bars, restaurants. Together, it’s kind of a triple threat book.

Live Learn Eat: Architecture by Anthony Poon, edited by Michael Webb (photo by Anthony Poon)

Lastly, my third book, in the works, is a fictional book. I’m calling it an ‘architectural thriller’ in which several architects compete for a famous project in San Francisco: the conversion of Alcatraz Island into a new world museum. It’s a book of intrigue, a book of murder—talks about ego and arrogance, vanity and legacy, passion and desire. Architects start to mysteriously die off during the design competition. A John Grisham-type of thriller meets Ayn Rand, The Fountainhead.

The Fountainhead, by Ayn Rand (photo by Anthony Poon)

Christopher: Anthony, thanks so much for being on The Gifters podcast. If you want to learn from a person that has such an eclectic and diverse palette of skillsets, definitely check out Anthony Poon.

© Poon Design Inc.