Tag Archives: ARTHUR RUBENSTEIN

#197: BOOK RELEASE: INFLUENCERS | ARCHITECTURE

December 13, 2024

Book cover (photograph by Anthony Poon)

Of his recent 464-page publication, author Oscar Asensio explains, “At Influencers | Architecture we show the professional careers of the most relevant and influential architects in the world. They offer us their experiences, ideas, knowledge and thoughts . . .”

Book pages 354 and 355 (photograph by Anthony Poon)

Am I an influencer? This new book believes I have some influence that might impact behaviors and attitudes. Published internationally by Linea Editorial in English and Spanish, the author curates and presents groundbreaking architects from around the world: Austria, China, England, Finland, Germany, Italy, Japan, Portugal, Switzerland, and others. Below are edited excerpts from my contributions to this book simply entitled, Influencers | Architecture.

Book pages 356 and 357 (photograph by Anthony Poon)

“It all began with some crayons and cardboard. I was probably five years old. Then, I liked to make things, to dream up a world for my toy soldiers, for my spaceships to race, or where stuffed animals could have thoughtful discussions. Whether paper and scissors, or clay and a knife, whether Lego or wooden blocks, I made cars, planes, rockets, and of course buildings—buildings upon buildings and cities within cities. I imagined civilizations where everyone would be able to be who they are destined to be. As I grew up, I realized there was a station in life, a job for me to pursue such ambitions. Though I must admit, I also wanted to be a musician since childhood. I made my final decision when applying for graduate school: Julliard vs. Harvard’s Graduate School of Design. I chose the latter. Today, I am an architect and fortunately still have space in my life to make music. I could not have done it the other way around, be a concert pianist and run an architecture company.

“An idea can come from anywhere and everywhere, from no one place in particular nor one kind of process. An architectural concept can arrive through a piece of music or work of poetry, perhaps from a conversation with a colleague or the view out of a hotel. I can try brainstorming for days, drawing ideas, and jotting notes endlessly in my sketchbook. Sometimes, a design concept appears, and other times, the obsessive process results in nothing of worth. Or maybe an idea will arrive in my head while driving to a meeting. The point is simply this: Inspiration is elusive, but always there. One just needs to be ready to grab it when it passes by.

Book pages 358 and 359 (photograph by Anthony Poon)

“The currency of social networks is both potent and immeasurable. The art of architecture relies on influences and inspiration, sometimes examined through any number of social media outlets, media/press, and online articles and treatises. The business of architecture relies on exposure, as well clients, consultants, and a community of colleagues—typically powered through social media and networks. The evolution of architecture relies on communication, on the sharing of ideas, testing of concepts, and critical discourse. The success for all of the above are the current venues (not even in existence last decade) created through technology, apps, social media, digital forums, and crowdsourcing—and having a very powerful compact computer in the palm of our hands.

Book pages 362 and 363 (photograph by Anthony Poon)

“Consider architecture as storytelling. Every project should have content—a narrative of concepts that drive the process and its final product. Also, because architecture is communication, know your audience.

“I think it was concert pianist, Rubenstein, who suggested that one should not practice piano too much: Limit your practice time, enjoy your life, and you will have much to express when playing piano. Same thinking applies to architecture.

“Be original. Be remembered. If you do the same thing over and over again, you will always get the same results, of which, most have already been done, or might be boring and forgettable.”

#35: ARCHITECTURE FROM A TO Z

April 29, 2016

Harrington Learning Commons, Sorbarto Technology Center and Orradre Library, Santa Clara University, California, by Anthony Poon (w/ HHPA, photo by Anthony Poon)

ALLOWANCE
Allow creative ideas to resonate in your head. Like wine aging in a bottle, the clamor of an idea seasoning in your cranium is called imagination.

BE
Be original. Be remembered. If you do the same thing over and over again, you will always get the same results, of which, most have already been done, or might be boring and forgettable.

CREATE
The medium of our art is not just pens and paper, paint and canvas, or software and megabytes. The medium of our art is life itself. Design your world.

Arcadia Residence, Palm Springs, by Poon Design (photo by Lance Gerber)
Arcadia Residence, Palm Springs, by Poon Design (staging by Interior Illusions, photo by Lance Gerber)

DIVISION
There should be no divisions between architecture, graphics, landscape, fashion, poetry, music, photography, theater, and all artistic endeavors. In the act of creation, design industries must overlap and blur, operating as a comprehensive force of artistry. Our contribution to progress and civilization.

Mystery and Melancholy of a Street, by Giorgio de Chirico, 1914
Mystery and Melancholy of a Street, by Giorgio de Chirico, 1914

EXISTING
Promote society’s advancements, and acknowledge the legacy of traditions. Beware: nostalgia can be a yearning for a false past that either does not apply today, or never truly existed. “Nostalgia” is made up of two Greek roots: nostos “returning home,” and algos “pain.”

FOCUS
Focus. Listen. Don’t forget what you have heard.

GATHER
Design communicates more than aesthetics. Design communicates ideas: everything from our culture and community, to the solutions for each client. We call this content.

HIGH TO LOW
Our work explores everything, from high art to pop art, from Schubert to So You Think You Can Dance.

(photo by Ahmad Odeh on Unsplash)

IS
Form is function, and function is form. Style is not superficial. Though a purist, don’t assume that style is only artificial. That trap is known as pretentious unpretentiousness. Understand style as the expression of character.

JUICE
Design is about thinking strategically. As in chess, plan all your moves. Start by seeing a few moves ahead, then grasp for more. This is called experience.

KIN
All works of art are in progress. A good idea advances, evolves, and changes.

LEVERS
Good design balances imagination and reality. Architecture must balance greatness and fantasy, with things like schedule and budget.

MUST
Process and product: both fascinate. The end of the journey is as exciting as the journey itself. We design both the outcome and the process that leads to the outcome.

NOT
Do not subscribe to the cliché, “Work hard, play hard.” Work can also be play. We do not divide our lives into boring work and fun play.

OUT LOUD
Enjoy your life. Laugh out loud. Arthur Rubenstein suggested that one should not practice piano too much: Limit your practice time, enjoy your life, and you will have much to express when playing piano.

(photo by Dolo Iglesias on Unsplash)

PRACTICE
Don’t take yourself seriously, but take your work seriously.

QUIRKY
As in jazz, when a mistake is made, exploit it as a delightful thing. In classical music, when a wrong note is played, it gets buried under a flurry of other notes. In jazz, when an unintentional note is hit, the musician bangs on that note a few more times to make sure the audience hears it.

READY
Embrace improvisation and creating impromptu. Be prepared to make up things off the top of your head, from the tips of your fingers.

SLEEP
A fresh mind has the most creative potential. Don’t subscribe to the romanticized and fatalistic belief that sleepless nights bring about incredible imagination. And don’t believe that an artist needs to struggle, bleed, and die to be considered a genius.

Danae, by Gustav Klimt, 1907
Danae, by Gustav Klimt, 1907

TAKE
Take a lunch break every day. Give your brain a rest. Even if the day is hectic, take that break—not just to have it, but to decree that you are still in control of your day.

UNDO
If your work is boring you, do something different. If you are boring yourself, be someone else.

(photo from warosu.org)

VICTIM
Try not to dress in all black. Don’t be a fashion cliché.

WRITTEN
Read everything: not just design magazines and blogs. Read poetry. Read the classics. Read autobiographies, non-fiction, comic books, music. Even read horoscopes and advice columns.

XANADU
Get used to senselessness and not knowing everything. The world is asking for too many answers. “One must imagine Sisyphus happy,” so said Albert Camus.

YOUTH
Like a young student, believe that you will save the world through your idealistic spirit. Hold tight your hopes, dreams, and ambitions.

ZENITH
Terms used to describe Beethoven’s Ninth Symphony: icon, masterpiece, seminal and absolute. The curse of The Ninth prevented superstitious composers from attempting to write a tenth symphony and surpass perfection. It goes so far as believing that the composer will die after writing his own Ninth. Gustav Mahler did. What would the world be if Beethoven had written a Tenth Symphony?

Ludwig Van Beethoven’s Ninth Symphony
Ludwig Van Beethoven’s Ninth Symphony

 

© Poon Design Inc.