Tag Archives: SOCIAL MEDIA

#197: BOOK RELEASE: INFLUENCERS | ARCHITECTURE

December 13, 2024

Book cover (photograph by Anthony Poon)

Of his recent 464-page publication, author Oscar Asensio explains, “At Influencers | Architecture we show the professional careers of the most relevant and influential architects in the world. They offer us their experiences, ideas, knowledge and thoughts . . .”

Book pages 354 and 355 (photograph by Anthony Poon)

Am I an influencer? This new book believes I have some influence that might impact behaviors and attitudes. Published internationally by Linea Editorial in English and Spanish, the author curates and presents groundbreaking architects from around the world: Austria, China, England, Finland, Germany, Italy, Japan, Portugal, Switzerland, and others. Below are edited excerpts from my contributions to this book simply entitled, Influencers | Architecture.

Book pages 356 and 357 (photograph by Anthony Poon)

“It all began with some crayons and cardboard. I was probably five years old. Then, I liked to make things, to dream up a world for my toy soldiers, for my spaceships to race, or where stuffed animals could have thoughtful discussions. Whether paper and scissors, or clay and a knife, whether Lego or wooden blocks, I made cars, planes, rockets, and of course buildings—buildings upon buildings and cities within cities. I imagined civilizations where everyone would be able to be who they are destined to be. As I grew up, I realized there was a station in life, a job for me to pursue such ambitions. Though I must admit, I also wanted to be a musician since childhood. I made my final decision when applying for graduate school: Julliard vs. Harvard’s Graduate School of Design. I chose the latter. Today, I am an architect and fortunately still have space in my life to make music. I could not have done it the other way around, be a concert pianist and run an architecture company.

“An idea can come from anywhere and everywhere, from no one place in particular nor one kind of process. An architectural concept can arrive through a piece of music or work of poetry, perhaps from a conversation with a colleague or the view out of a hotel. I can try brainstorming for days, drawing ideas, and jotting notes endlessly in my sketchbook. Sometimes, a design concept appears, and other times, the obsessive process results in nothing of worth. Or maybe an idea will arrive in my head while driving to a meeting. The point is simply this: Inspiration is elusive, but always there. One just needs to be ready to grab it when it passes by.

Book pages 358 and 359 (photograph by Anthony Poon)

“The currency of social networks is both potent and immeasurable. The art of architecture relies on influences and inspiration, sometimes examined through any number of social media outlets, media/press, and online articles and treatises. The business of architecture relies on exposure, as well clients, consultants, and a community of colleagues—typically powered through social media and networks. The evolution of architecture relies on communication, on the sharing of ideas, testing of concepts, and critical discourse. The success for all of the above are the current venues (not even in existence last decade) created through technology, apps, social media, digital forums, and crowdsourcing—and having a very powerful compact computer in the palm of our hands.

Book pages 362 and 363 (photograph by Anthony Poon)

“Consider architecture as storytelling. Every project should have content—a narrative of concepts that drive the process and its final product. Also, because architecture is communication, know your audience.

“I think it was concert pianist, Rubenstein, who suggested that one should not practice piano too much: Limit your practice time, enjoy your life, and you will have much to express when playing piano. Same thinking applies to architecture.

“Be original. Be remembered. If you do the same thing over and over again, you will always get the same results, of which, most have already been done, or might be boring and forgettable.”

#112: SOCIAL MEDIA IN A WORLD OF #DISCONNECTING

January 17, 2020

One of the most photographed and Instagrammed scenes in Los Angeles, the exterior pink wall at the Paul Smith boutique, Los Angeles, California (photo by Anthony Poon)

Is there purpose in social media for the industry of architecture? I have heard about the exposure an architect can get from incessant posting on Instagram, Facebook, Linked In, etc. But as colleagues brag about numerous followers and subscribers, I ask several questions: What is the currency of Insta followers? Is there tangible value beyond bragging rights? If anyone can simply buy anonymous followers (as in fake), does it matter whether you have 1,000 subscribers or 1 million?

Instagram: @anthonypoondesign and @anthonypoonart

A test of one’s authenticity is not the number of followers but the percentage of engagement. Meaning, for each post, how many followers respond, comment, and/or like? If only a tiny handful of your so-called one million followers engage with your post, this then is evidence that the high volume of seemingly excited fans doesn’t exist at all, probably purchased from an app and algorithm.

Linked In: Anthony Poon and Poon Design Inc.

At Poon Design Inc., we do participate in this universe of socials, not too actively, but we do. We feel that we have to, as we try to keep up with the Jones and their pretty pictures. We understand that a digital presence has some importance in establishing our brand. But who really follows the social media of architecture studios? We hope it is our clients, or maybe the teenage daughter of one our clients? Are our past clients Rick Caruso and Donald Bren personally surfing Instagram and Facebook every morning looking for architects to hire for their gazillion-dollar developments? Probably not.

Alongside the Paul Smith store (above), this is the other most photographed and Instagrammed scenes in Los Angeles, the lamp posts at Urban Light by Chris Burden, Los Angeles County Museum of Art, California (photo from Pinterest/Julianne)

One resulting evil of all this hoopla is what is referred to as the “Instagrammable Moment.” This is that one photograph, that one single moment that supposedly captures the essence of an entire architectural project. And such Instagrammable moments run rampantly redundant on the Internet, i.e. the lamp posts at LACMA or the pink wall of the Paul Smith boutique on Melrose. There is nothing wrong with a beautiful image, but is it superficial and even cruel to reduce the rich journey called architecture down to a single moment in time, a single visual gesture? Who reduces an entire novel to one sentence, for the mere purpose of easily-digestible PR? The additional problem is that some architects design their whole project with that one Instagrammable image in mind, as if nothing else matters.

Often seen on social media, the soaring and dynamic (and somewhat misleading) image of the U.S. Bank Stadium, Minneapolis, Minnesota (photo from archdaily.com)
The full story of the stadium looking clunky and clumsy in comparison to the Instagrammed image of soaring and dynamic architecture (photo from americanfootball.fandom.com)

So back to currency, what can an architect do with a “bank account” of followers? So far, other than the periodic amusement of posting a nice picture and seeing who comments, I personally haven’t figured out the value of all this commotion. Didn’t we all enjoy Facebook for a brief moment, only to now see that no one uses it anymore?

Facebook: Poon Design Inc.

#82: THE ADVERTISING OF ARCHITECTURE: THE ARCHITECTURE OF ADVERTISING

May 4, 2018

(image from knowyourmeme.com)

Lawyers advertise. So too do dentists. They run commercials; they have ads online and in print.

Architects don’t typically advertise. Are we more principled and virtuous, then to succumb to the pandering of advertising?

Better Call Saul advertisement from the television series, Breaking Bad (image from amazon.com)

PART ONE

Some celebrated architects avoid the illicit exploits of marketing altogether. Frank Gehry’s company barely has a website. In a world where online presence is the most prevalent form of branding and outreach, Gehry offers a mere single page website, not the predictable encyclopedic collection of project images, the self-indulgent bragging rights of awards, and the prestigious list of clients.

Peter Zumthor on the other hand, is even more severe and reductionist. No website. Online, Zumthor is only mentioned in Wikipedia—and probably not of his doing or by his choice.

Poon Design business cards, unique design per staff member, (photo by Anthony Poon)

Architects commence their advertising through an old school tool, the business card. But why is that? Prior to a face to face meeting, architects spend months communicating with a client via email and text. The clients already have our information in their computers. Yet, when we finally meet in person, we exchange this absurdly ancient form of introduction, the small piece of cardstock that contains all the contact information that our client has already has.

My library of architecture books (photo by Anthony Poon)
(photo by ICSA on Pexels)

Architects also advertise by having books written on their work, or less common, writing a book themselves and have it published—as I did. Alongside books, architects also focus on inclusion in the latest and trendiest of magazines and blogs. Though a sales-y endeavor, an architect can man a booth at a trade show, such as an industry convention. Having done this, my role was akin to desperately selling hot dogs at a baseball game. We can also teach, hopefully at a high profile university, generating community contacts and national exposure. Though social media is rampant and popular, I have yet to reap any substantive rewards. Meaning, besides likes, winks and shares, I have yet to reap actual clients and contracts from social media.

(photo by ShutterStock)
A networking event, being out there (photo by Product School on Unsplash

I believe the best form of advertising is simple: be out there. “Hitting the pavement” is an outdated slogan, but the theme is relevant to advertising: make relationships, establish rapport, meet and greet, shake some hands, and as declared with conviction in the 1992 film, Glengarry Glen Ross, “A.B.C.! Always Be Closing!”

PART TWO

upper left: really, ping pong in the office? (photo from salesforce.com); upper right: kooky patterns and geometry (photo by Visual Tag on Pexels); lower left: really, a slide in the office? Ogilvy & Mather, Jakarta (photo from officesnapshots.com); lower right: a game of foosball while others work in the office? (photo by cottonbro studio on Pexels)

Much of the architecture created for advertising agencies makes me nauseous. I am tired of seeing those cliché images, i.e., during some random client meeting, an impromptu ping pong game breaks out, or someone skateboards through the office to hip hop music. The architectural forms comprise silly colors and patterns, funny shapes and angles, and the overused idea where a staircase is an amphitheater and social space. These are theme park ideas.

From our clients, it is fact that no one uses the air hockey table in the board room, and no one takes the fireman’s pole from a cubicle down to the yoga room.

Countering this, if I were to identify a cool design for an ad agency, I would direct attention to Mad Men.

Mad Men stage set (photo from Interior Design)
© Poon Design Inc.