Tag Archives: MUSICIAN

#197: BOOK RELEASE: INFLUENCERS | ARCHITECTURE

December 13, 2024

Book cover (photograph by Anthony Poon)

Of his recent 464-page publication, author Oscar Asensio explains, “At Influencers | Architecture we show the professional careers of the most relevant and influential architects in the world. They offer us their experiences, ideas, knowledge and thoughts . . .”

Book pages 354 and 355 (photograph by Anthony Poon)

Am I an influencer? This new book believes I have some influence that might impact behaviors and attitudes. Published internationally by Linea Editorial in English and Spanish, the author curates and presents groundbreaking architects from around the world: Austria, China, England, Finland, Germany, Italy, Japan, Portugal, Switzerland, and others. Below are edited excerpts from my contributions to this book simply entitled, Influencers | Architecture.

Book pages 356 and 357 (photograph by Anthony Poon)

“It all began with some crayons and cardboard. I was probably five years old. Then, I liked to make things, to dream up a world for my toy soldiers, for my spaceships to race, or where stuffed animals could have thoughtful discussions. Whether paper and scissors, or clay and a knife, whether Lego or wooden blocks, I made cars, planes, rockets, and of course buildings—buildings upon buildings and cities within cities. I imagined civilizations where everyone would be able to be who they are destined to be. As I grew up, I realized there was a station in life, a job for me to pursue such ambitions. Though I must admit, I also wanted to be a musician since childhood. I made my final decision when applying for graduate school: Julliard vs. Harvard’s Graduate School of Design. I chose the latter. Today, I am an architect and fortunately still have space in my life to make music. I could not have done it the other way around, be a concert pianist and run an architecture company.

“An idea can come from anywhere and everywhere, from no one place in particular nor one kind of process. An architectural concept can arrive through a piece of music or work of poetry, perhaps from a conversation with a colleague or the view out of a hotel. I can try brainstorming for days, drawing ideas, and jotting notes endlessly in my sketchbook. Sometimes, a design concept appears, and other times, the obsessive process results in nothing of worth. Or maybe an idea will arrive in my head while driving to a meeting. The point is simply this: Inspiration is elusive, but always there. One just needs to be ready to grab it when it passes by.

Book pages 358 and 359 (photograph by Anthony Poon)

“The currency of social networks is both potent and immeasurable. The art of architecture relies on influences and inspiration, sometimes examined through any number of social media outlets, media/press, and online articles and treatises. The business of architecture relies on exposure, as well clients, consultants, and a community of colleagues—typically powered through social media and networks. The evolution of architecture relies on communication, on the sharing of ideas, testing of concepts, and critical discourse. The success for all of the above are the current venues (not even in existence last decade) created through technology, apps, social media, digital forums, and crowdsourcing—and having a very powerful compact computer in the palm of our hands.

Book pages 362 and 363 (photograph by Anthony Poon)

“Consider architecture as storytelling. Every project should have content—a narrative of concepts that drive the process and its final product. Also, because architecture is communication, know your audience.

“I think it was concert pianist, Rubenstein, who suggested that one should not practice piano too much: Limit your practice time, enjoy your life, and you will have much to express when playing piano. Same thinking applies to architecture.

“Be original. Be remembered. If you do the same thing over and over again, you will always get the same results, of which, most have already been done, or might be boring and forgettable.”

#192: “DANCING ABOUT ARCHITECTURE”

August 30, 2024

Colby Residence, Los Angeles, California, by Poon Design (photo by Hunter Kerhart)

On July 25, 2024, I was interviewed for Josh Cooperman’s podcast, Convo by Design. About his forum, Josh explains, “A podcast dedicated to promoting the ideas of architects, artists, designers, tastemakers and those making a difference in the way we live. Design is personal as is a good conversation.”

At the Los Angeles showroom of Design Hardware, Josh introduced a thesis, “Architecture is an art form that also serves a primary function, that of shelter, workspace, centers for learning, social spaces and gathering places. This is a form of art with a language all its own.

“Long debated is which comes first: form or function? But that’s not quite the right question to be asking these days. A better question might be, for whom does architecture serve, and how can the space serve individual needs, both now and into the future.

Circle House, Three Lakes, Wisconsin, by Poon Design

“American society has learned to move to a new shelter space in the same way that a hermit crab moves to a new and bigger shell. We’re not hermit crabs, and this model has only served to increase costs and decrease availability of housing. Let’s think differently about how architecture can achieve different results.”

My edited responses to a few of Josh’s questions:

“Hi, my name is Anthony Poon. My architecture and design company is Poon Design Inc. We are awarding-winning architects and designers. We design houses. We design schools, religious projects, commercial, restaurants, bars, hospitality, university projects. We do it all.

Johann Wolfgang von Goethe (Photo by Cansu on Pexels)

“My personal take on design is driven by my background as a musician. I love jazz, and I am a classically-trained pianist. I like bringing musical ideas and philosophies into our work. I like looking at how discipline and improvisation can come together and drive the architectural process.

“There’s the famous Goethe quote, that you probably know. ‘Architecture is frozen music.’

“Or some has said, ‘Music is melting architecture.’

“It’s fascinating to talk about both. Thelonious Monk also said, ‘talking about music is like dancing about architecture.’

I think the overlaps are very clear, with things like rhythm, ornamentation, measure, beat. For example, the beat in music is like gravity in architecture.

(photo by Konstantin Aal on Unsplash)

“My fascination with jazz is about how jazz is made—improvisationally, impromptu, spontaneous—and whether such ideas can influence the way architecture is made. Architecture is a slower, sometimes tedious process compared to jazz. Architects deal with engineering. We deal with city codes, budgets, client, etc. It can take years, sometimes decades to complete a project.

“What can we learn from jazz? How can we learn from that kind of music—to look at our creative process to find inspiration from one field of study to another?

“In fact, I am the type of artist that doesn’t separate the different fields of studies. I think of it all as one creative force, one endeavor under one artistic umbrella. I like music. I like painting. I like writing. I like architecture. And I don’t separate the four. It is one force moving together at the same time.”

(photo by João Cabral on Pexels)
© Poon Design Inc.