THE RELIQUARY BUILDING FOR THE 14TH SHAMARPA: RESOUNDING IN SILENCE

August 2, 2019

If our design doesn’t yell for attention, then we are successful. Intentionally, our architecture here is not raucous, but rather, enjoys its peaceful disposition.

Poon Design Inc. has completed four sacred buildings for the Bodhi Path Buddhist Center of Natural Bridge, with construction plans for the fifth building underway. The several-hundred-acre setting of the international Buddhist retreat property acknowledges the late Shamar Rinpoche, also known as the 14th Shamarpa and the distinguished Red Hat Lama of Tibet.

For this non-profit organization, our architecture investigates economical design that is both neutral and dramatic, both traditional and modern. Universally sacred, all the projects express a crafted architecture of both human and spiritual hands.

The relics of Shamar Rinpoche are preserved within a gold-leafed stupa. (photo by Anthony Poon)

In the summer of 2018, Bodhi Path dedicated the Reliquary Building for the 14th Shamarpa. Poon Design’s structure preserves the relics of this eminent lama held within a gold-leafed stupa, one of only three such stupas commissioned worldwide.

The environmentally-friendly building sits gracefully in nature, enjoying the changing seasons, indoor-outdoor connections, connecting to the rest of the property that has expansive views to the Blue Ridge Mountains. We choose to not make a noisy statement, and instead, search for meditative stillness in architecture. And in keeping with Buddha’s teachings, we approached this modern reliquary temple, in accordance with principles of balance and equanimity—through what some may say is a Path of Moderation.

The stupa is softy and naturally lit by a dramatic skylight. (photo by Mark Ballogg)

Poon Design’s architectural language is universally sacred. Our design for this blessed building starts with a historical form that provides a spiritual backdrop that is both calm and theatrical, both classical and contemporary. For whomever visits this reliquary structure, architecture serves as a vessel of experiences and events. Sacred architecture can treasure memories, house beliefs and sustain confidence.

Our building nestles into the trees, gently sitting on the land. (photo by Mark Ballogg)

This 14th Shamarpa Reliquary Building completes the 250-foot long site axis that spiritually and visually links our previously completed Buddhist temple and support building at the top of the hill, to the pond at the bottom, where a wood bridge and campus entry are located.

The structure faces the pond that greets visitors to this retreat center. (photo by Mark Ballogg)

Discussion of future buildings include a dining commons, dormitory and additional cabins, museum and visitor center, just to name a few. Stay tuned, and read this feature of our work in Tricycle: The Buddhist Review, often called, “A beacon for Western Buddhists.”

Construction plans underway for the fifth building, Bodhi Path Dining Commons (rendering by Encore Studio)

DESIGN AND DISCOMFORT: SIT AND BE CURIOUS

December 15, 2017

Digital intervention by MMTRA into the Kunsthaus Bregenz, Austria, by Peter Zumthor (photo from behance.com)

I have written about a number of things that are in essence, big pains in the butt (pains, city process and bad clients, just to name a few). Recently, I asked two colleagues, Christine Fang and Ji Ahn, who practice mindfulness and meditation: What do you do with the discomforts of life? I requested of them to provide me a peek into their training.

They tossed back some words: adventure, commit and experience—and sit and be curious. But somewhere along this pattern of words, Chris and Ji are aware that discomfort will inevitably rear its ugly head.

Spirituality and contemplation at Knight Rise, Nancy and Art Schwalm Sculpture Garden, Museum of Contemporary Art, Scottsdale, Arizona, by James Turrell (photo by Sean Deckert)

Chris suggests, “I think I might be a masochist on some level. I love carving out new paths, going where no one else has gone before. But new paths mean discomfort. It’s all new terrain, whether something you’re confronting in the physical world, or in your mind. And you’re fighting the self-created inertia that makes you want to turn the other direction. New terrain means learning new things, and most certainly, making mistakes! As you keep at the new terrain, new becomes routine. Then when bored, the mind goes searching again for new terrain.”

Architecture framing nature, at a Buddhist Temple, Blue Ridge Mountains, Virginia (photo by Anthony Poon)

Similarly, Ji responds, “Growing up, I was attracted to unknown paths and adventure. Not knowing the end result gave me the space to be creative and an opportunity to imagine new possibilities. Being in this space of solitude, the exploration opens me up to be curious and to sit with discomfort that visits me in the process. Changing the relationship to our discomfort allows us to explore and grow. Within discomfort, we might be able to find joy and serenity.”

The elegant dialogue between building and landscape, at the Woodland Cemetery, Stockholm, by Erik Gunnar Asplund and Sigurd Lewerentz (photo by Landezine)

As the architect, my simple understanding: Through mindfulness and meditation, one creates space and stillness. Design-wise, what is this architecture that can support the simple tenet, “sit and be curious”? Chris and Ji suggest any of these possibilities as starting points.

A space of stillness found when experiencing nature, or
An area in one’s home to be safe and quiet, to reflect, or
A place dedicated to meditation.

Meditation Retreat House, Blue Ridge Mountains, Virginia (photos by Anthony Poon)

Though not my thesis for projects (and though I only know of mindfulness as a visitor), my work finds a common ground with some of my two colleagues’ thinking.

twoPart café, Los Angeles, California, by Poon Design (photos by Anthony Poon)

At twoPart café, my first public design from 1992, the simplicity of the architecture delivered a space of adaptability. More so, it was intentionally incomplete. Like a blank canvas with only a few brush strokes to motivate a visitor, twoPart enabled human development. Customers sought to advance their current affairs—whether reconciling with a loved one, pursuing that long sought after graduate degree, or finally finishing the Hollywood script.

Simplicity in elemental forms and materials, at the Thermal Vals, Braubunden, Switzerland, by Peter Zumthor (photo by Fernando Guerra)

Though Mozart claimed that music should always be beautiful, I concur with Beethoven that music can do a lot more than simply be pretty. I believe music can be heroic or moody, ominous or bold, shocking or even off beat.

For architecture, spaces don’t have to always be pleasing, comfortable, serene or joyful, but whatever form architecture takes, the design supports people on their journeys.

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