Tag Archives: CONSTRUCTION

#214: IS 85% GOOD ENOUGH?

November 7, 2025

Score: 93%. WV Mixed-Use Project, Manhattan Beach, California, by Poon Design and Steve Lazar (drawing by Anthony Poon, photo by Gregg Segal)

At Poon Design Inc., we evaluate the completion of each project. The question is this: What percentage of the original design is evident in the built work? If we are successful, the final results capture the initial concept, and we pat ourselves on the back for achieving 95% or higher. But sometimes, we get only 70% or lower, meaning the original design got compromised along the way. Why/how?

Score: 96%. Greenman Elementary School, Aurora, Illinois, California, by Anthony Poon w/ A4E and Cordogan, Clark & Associates (drawing by Anthony Poon, photo by Mark Ballogg)

Every new project commences with bold ideas captured in initial sketches, conceptual models, preliminary computer renderings, or even a powerful written statement. All architects have great genius designs in their heads. But keeping alive the spirit of the original thinking can be a challenge over the duration of a project, whether a houseschool, or restaurant. During these years in the making—sometimes one, sometimes ten—several influences impact a project as it progresses from the early design work to phases of development, technical refinement, approvals, and construction.

Score: 85%. Din Tai Fung, The Americana at Brand, Glendale, California, by Poon Design (drawing by Anthony Poon, photo by Gregg Segal)

From the start, the architect evaluates the client’s wishes compared to their budget. So many projects begin with an ambitious client program followed by a creative architect vision. When the construction costs arrive, we often find the dollars lacking. In turn, the creative vision gets paired down, or as some colleagues like to say (misleadingly), “value-engineered.”

Score: 80%. Colby Residence, Los Angeles, California, by Poon Design (drawing by Anthony Poon, photo by Hunter Kerhart)

The realities of a project, such as structural engineering, can also hinder a valiant design. Sure, the architect might envision a museum without columns or a concert hall with a glass roof, but are such things physically possible? Perhaps they are within the laws of science, but at what cost? When reality sets in, the museum ends up with a dozen columns and walls, and the glass concert hall has a conventional metal roof.

Score: 92%. Herget Middle School, Aurora, Illinois, California, by Anthony Poon w/ A4E and Cordogan, Clark & Associates (drawing by Anthony Poon, photo by Google Earth)

All projects go through the city Plan Check process, where the design is examined by various agencies for approval. Often the moving-target city codes can be a damper on a great design. For example, the gourmet restaurant with an open kitchen and big sliding doors to a patio will not be approved by the health department due to flies getting in the kitchen.

Score: 82%. Sushi Noguchi, Yorba Linda, California, by Poon Design (drawing by Anthony Poon, photo by Poon Design)

If a design survives the above, then comes construction. Will the contractor follow the architect’s drawings? What is the quality of the contractor’s work? Will materials be substituted for inferior ones? Will the client make changes during construction?

Score: 92%. Escena I-3 Residence, Palm Springs, California, by Poon Design and Andrew Adler (drawing by Anthony Poon, photo by Chris Miller)

Let’s also look in the mirror. Did the architectural team have the know-how and guts to develop a good idea? It’s about courage. Is the architect brave enough? Clients too need some pluck as well as faith. Architects need to earn the trust of the client to pursue the right ideas for the right project.

Score: 97%. Golf Performance Center, Los Angeles, California, by Poon Design (drawing by Anthony Poon, photo by Hunter Kerhart)

Poon Design is fortunate to have a few projects score above 90%. 100% is probably an impossibility. The projects that fall short are 50% to 75%. If our average is about 85%, is that good enough? (The project shown here are, or course, ones that have scored on the higher side.)

Score: 91%. Vosges Haut-Chocolat, Beverly Hills, California, by Poon Design (drawing by Anthony Poon, photo by Poon Design)

It takes a tremendous amount of perseverance, tenacity, and dedication to keep one’s ideas alive through the many phases of a project, through the many forces that aim to water down the original thinking. Most architects are perfectionist, so 90% or even 95% might not be good enough.

As the 18th century French philosopher, Voltaire, suggested, “good enough is the enemy of perfection.”

Score: 91%. Reliquary Stupa Structure, Natural Bridge, Virginia, by Poon Design (rendering by Poon Design, photo by Mark Ballogg)

#53: EIGHT THINGS I LIKE ABOUT ARCHITECTURE

January 6, 2017

Contraband & Freedmen’s Cemetery and Memorial Park, Alexandria, Virginia, by Poon Design (rendering by Zemplinski)

(This list is a follow up to Eight Things I Dislike about Architecture.)

ONE.

The social importance of what we do. Architects design everything from a retreat home to a veterinarian office, from a homeless shelter to a public school, from a park to a temple. Doctors have been plagued by insurance headaches. Bankers have confronted corruption. Well, lawyers? Not too much new to say there. What fields still have nobility?

Concept model for the new Anaheim Cultural District, California, by Anthony Poon (w/ HHPA, photo by Foaad Farah)
Concept model for the new Anaheim Cultural District, California, by Anthony Poon (w/ HHPA, photo by Foaad Farah)

TWO.

Being creative. Whether problem solving the client’s schedule/budget or envisioning a downtown district, architecture is at the wonderful intersection of art, science and business.

THREE.

Always learning. No matter how long one has been an architect, a new graduate or an expert of 50 years—all architects have new things to learn every day. The field is a challenge, and we love challenges. And we enjoy learning about new clients, new companies, new cities, and new institutions—and building new worlds for them.

River of Life Christian Church, Santa Clara, by Poon Design

FOUR.

The diversity of each day. We go from one interesting project to another. In a matter of months, we will have created several new restaurants. But a performing arts center might take five years. Nonetheless, each project is a unique adventure: having design presentations, finding the right species of wood, coordinating with the electrical engineer, debating with city agencies, sketching in my notebook.

“Adorkable” Joseph Gordon-Levitt and Zooey Daschanel, in 500 Days of Summer (2009)
“Adorkable” architect  Joseph Gordon-Levitt and Zooey Daschanel, in 500 Days of Summer (2009)

FIVE.

It’s just plain cool to be an architect. Many architects have studied various pursuits alongside architecture: art, literature, photography, history, math, and science—and even real estate, publishing, coding and music. Also, thank you to Hollywood and the likes of Tom Hanks, Michelle Pfeiffer, Ellen Page, Keanu Reeves, Henry Fonda, Wesley Snipes, and so many more, for projecting an exciting image of architects in film. See Celluloid Heroes.

SIX.

The entrepreneurial path. Architects can be a designer at a big company or a sole proprietor, a husband-wife studio or a technology manager. Regardless of role, the journey involves independent thinking, creative contributions, business acumen, and risk taking.

SEVEN.

Rewards. Though the rewards are rarely financial, architects are compensated through the growth of our soul, the smiles and handshakes of clients, participating in the realm of beauty, and embracing each year with worthwhile ambition.

Girl’s bedroom, Roberto Residence, by Poon Design (photo by Anthony Poon)
Girl’s bedroom, Roberto Residence, by Poon Design (photo by Anthony Poon)

EIGHT.

Dreams become reality. One day, we are creating abstract concepts in a sketchbook or Revit. Not much later, concrete is poured, steel is erected, windows are installed, and an architect’s vision is constructed for the world to witness.

Leighton Concert Hall under construction, DeBartolo Performing Arts Center, University of Notre Dame, Indiana, by Anthony Poon (w/ HHPA, photo by HHPA)
Leighton Concert Hall under construction, DeBartolo Performing Arts Center, University of Notre Dame, Indiana, by Anthony Poon (w/ HHPA, photo by HHPA)
© Poon Design Inc.