#195: THE RHYTHM OF ARCHITECTURE, PART 1 OF 3 | THE MATRIX OF THE EGO
Oral Roberts University, Tulsa, Oklahoma (photo by Hudson Hintze on Unsplash)
On August 28, 2024, I participated in a podcast entitled, “The Rhythm of Architecture,” from the series, Doctoring Up Design. With host Josh Cooperman, here are edited excerpts from our episode S4/E36—to be presented over three segments. Please enjoy part one.
Josh Cooperman: I had the opportunity to catch up with longtime friend and an incredible architect, Anthony Poon of Poon Design Inc.; he happens to be an extraordinary talent. Keep listening and you’ll hear why. You wrote a book.
Anthony Poon: I wrote three books (here, here, and here) and working on the fourth and fifth right now.
Josh: Tell me about the third one.
Anthony: You’re talking about the murder mystery novel?
Josh: That’s the one.
Anthony: Last year, I came out with my first work of fiction called, Death by Design at Alcatraz. My story assembles a group of architects competing to redesign Alcatraz Island into a museum of art. During the design competition led by a billionaire egomaniacal developer, architects start to die off. It goes into the psyche of architects and what we would do for our ego and arrogance. When people say, “Hey, I would kill for that job,” maybe one literally would! The reviews have been great. And I just recently adapted the book into a screenplay for a feature film called, Death by Architecture. I’m starting to shop it around.
Josh: I love that, and think about how design and architecture are so interwoven in everyday life. And I believe we’re in a golden age. I believe we’re in a renaissance of architecture and design right now, especially in a post pandemic world. Now that everything is clearing out supply chains, people are starting to actually think differently about design and architecture than they had in the past.
I was on a road trip with my son, and I found a book in Kansas City called, The Paris Architect. I don’t know if you’ve ever read it. Phenomenal story about an architect who is a Bauhaus devotee and finds himself in Paris during the occupation of World War II. He’s an unwilling accomplice or participant rather, who finds himself looking for and applying unique ways to hide the Jews from the Nazis. I love how the story of architecture and design is interwoven into real life, because I feel like many people don’t realize this. It’s almost like The Matrix. You don’t realize it’s all around you.
Anthony: Exactly. There’s an old essay I wrote a while back, Everything Is Design. People may not be aware of it and you’re right: There’s a search in the zeitgeist around architecture right now. You have TV shows about house design, you have housewives and homeowners designing their parties, choosing the right tablecloths, right wedding cake frosting, and you have fashion at its highest caliber.
Everything is being designed. Everything is being created. Everything is being curated and tailored. Architecture is no longer the building that we’re standing within. It could be the sounds that we hear, the music that’s being piped through the speakers. Architecture is everything from sustainability to the ideas of resilience. How does a building survive a catastrophe, say a fire, a flood or even a school shooting?
These are topics of architecture that didn’t exist a generation ago. The idea of DEI has become prominent in how we create our artistic teams. Architects are no longer the kind of superheroes of the past generation when Modernism was a singular force moving on a linear path. Today architecture is splintered into many avenues, not just a grid of roadways, but more of a three-dimensional matrix.
Josh: Having recently moved to Tulsa, you can see Modernism had sort of morphed from the Art Deco phase into the Mid-Century Modern architecture after. That’s the way architecture is supposed to be. You talk about it being splintered and fractured. Isn’t that how we grow?
Anthony: For certain. Back in time, sometimes there were a shortage of ideas and a shortage of construction quality. They were building civic buildings clad only with cheap stucco! I recently visited, for the second time, Frank Lloyd Wright’s Unity Temple in Oak Park. He was one of the first to not just use cast-in-place concrete, but also left the raw surface exposed. It’s not just beautiful, but a hearty structure. I think we’re in a “renaissance” like you say, because the idea of building to last is not just about 25 or 50 years anymore, but maybe a hundred years or more.
