Tag Archives: BIOPHILIA

SHIFTING GROUNDS IN ARCHITECTURE

May 1, 2020

Fires at the 405 freeway, near where I previously resided. (photo from abcnews.go.com)

(Original feature editorial published in California Homes: The Essential Guide, Architects & Builders 2020)

As earthquakes and fires challenge our complacency, as a decade concludes, the design industry confronts transitions and shifting grounds. No, not trends in popular paint colors. And not faux-Cape-Cod homes on the west side. Architecture is one of the few remaining noble fields where those who choose to participate do so because architecture has the capacity to change the world.

Yet another trendy faux-Cape-Cod inspired home—an architectural style that has little relevance to our Southern California context and climate. (photo from Pinterest)
Poon Design is honored to be one of the few green architecture businesses, acknowledged as a Certified Innovator, Sustainable Business Certification Program.

SUSTAINABILITY AND RESILIENCE

Sustainability is not a fad, no longer just a movement. It is mission critical. Being green does not simply comprise solar panels on the roof with recycled materials in the kitchen. Being an advocate for the environment has evolved into a lifelong commitment to our global community.

Last year as Poon Design Inc. received its certification as a sustainable business from the California Green Business Network, our pledge went beyond saving on paper and electricity. Our calling involves educating clients, participating in community service, and thinking beyond the physical environment, to include our economic and social circumstances.

Add the recent interests in biophilia and the instinctive association to nature and all forms of life. More crucial is what is known today as resilient design. How does architecture recover from disaster, whether fire or flood—even terrorism or a school shooting?

EC Kids fitness center and ninja gym, Culver City, by Poon Design (sketch by Anthony Poon)

TECHNOLOGY AND PROCESS

I embrace the old school tools of my trade that include a pencil, triangle and drafting table. A quantum leap for design arrived with digital technology. Computers and algorithms are not just powerful tools for the creative process, but also for construction. But I argue that our clients have been saturated with this promising call of a technological future.

For the design process, hands-on, rolling-up-one’s-sleeves, real-time methods replace clicks of the mouse. Expressive hand drawings far outshine the heavily-Photoshopped computer rendering. A 3D-rendering captures what the house might look like. But a hand-drawn sketch captures the emotion. When in construction, Poon Design challenges the machine-made and the factory-produced output. We embrace the hand-crafted that expresses the human touch.

Buddhist Temple, The 14th Shamarpa Reliquary Building, Natural Bridge, Virginia. One of four completed buildings by Poon Design for a 400-acre international Buddhist retreat. Universally sacred, this design expresses a crafted and quiet architecture of both human and spiritual hands. (Photo by Mark Ballogg)

BLURRING THE LINES

Where advantageous, architects became design-builders. Where necessary, lines between architects and interiors designers became fuzzy. Where strategic, architects designed furniture and interior designers designed bedding and kitchenware. Though the business model of single-minded specialization is an expedient method to market one’s brand, such as being the expert of Spanish Colonial estates in Beverly Hills, the current industry reveres the design companies of greater depth and complexity. As Frank Lloyd Wright promoted decades ago, ambitious design studios offer an array of services under one roof, from architecture to interiors, from furniture to graphics, from landscape to product design. With the right client, Poon Design adds branding, fashion, art/music curation, and certified feng shui services.

Living room of an estate in Beverly Hills, California, architecture by Martin/Poon Architects, interiors by Timothy Corrigan. (Photo by Anthony Poon)

For each designer focusing exclusively on luxury single-family residences, there are architects embracing tract homes, prefabricated ADUs, affordable housing, and co-living mixed-use projects. Why can’t the architect of homes design a Buddhist temple?

Linea Residence G, Palm Springs, California. This production house design and similar others by designer/developer, Andrew Adler, and Poon Design have been built and sold, totaling 230 completed projects in and around Palm Springs. 2018 Winner of Best in Housing Design for North America, The American Institute of Architects. (Photo by Hunter Kerhart)

CONSTANT CHANGE

Practically a cliché these days, Heraclitus proclaimed, “The only constant in life is change.” The truism still applies.

I don’t have a crystal ball, nor do my fellow classmates. But we are somewhat Futurists and we encounter the patterns. 1) The significance of community outweighs the consequence of self. 2) Face-to-face, hands-on interaction prevails over phone texts and posting on Instagram. 3) There are no limits to what a designer can design, what a creative mind can create.

Conference room wall at Poon Design, Los Angeles, California (photo by Anthony Poon)

OUR DESIRE FOR NATURE

February 15, 2019

Park Royal, Singapore (photo from geekchicblogger.blogspot.com)

Biophilic Design refers to our instinctive association to nature and the resulting architecture that enhances our well-being. It has been suggested that Biophilic Design offers a healthy and productive existence, as well as happiness and joy.

Thorncrown Chapel, Eureka Springs, Arkansas (photo from inhabitat.com)

Goals for this prevalent design movement include the generous use of landscape inside and out, abundance of natural and artificial light, organic materials and textures, good indoor air quality and ventilation, and thermal and acoustic comfort—just to name a few. And our biophilia, meaning our love of nature, extends beyond architecture.

The Spheres at Amazon, Seattle, Washington (left photo from aarbmagazine.com; right photo from ar15.com)

Monster companies, such as Amazon, Facebook and Google, use Biophilic Design to offer a healthier, happier and more productive work environment. This we know; so let’s expand our discussion of design and the creative arts, beyond the built environment.

Clearing Winter Storm, Yosemite National Park, by Ansel Adams, 1944

From photography to vintage botanical prints, from classical painters to amateurs—capturing nature in two dimensions have driven artists for centuries.

Botanical art, left: giclee prints (photo from etsy.com): right: Sweet Orange (art from thegraphicsfairy.com)
(photo by Polina Belyaeva)

Similarly, sculptors are drawn to the forces and mysteries of our natural environment. Here, installation artist/sculptor, Patrick Dougherty, combines his love of natural materials with his background as a carpenter.

left: Na Hale ‘Eo Waiawi,’ by Patrick Dougherty 2003 (photo by Paul Kodama); right: artist at work (photo by Smithsonian Magazine)

Looking to the surrounding landscape for ideas, the world of fashion and glamour draws upon themes, patterns and colors in our natural world.

Shoes by Pierre Hardy, Summer 2015, from “Force of Nature” at the Museum at FIT (photo by Eileen Costa)
Dresses of nature: left by Yiqing Yin, Fall/Winter, 2012; right by Alexander McQueen, Spring/Summer 2012

A popular icon of body art, flora/fauna is prevalent in the tattoo culture.

Nature in tattoos (left photo from Pinterest; right photo by Little Tattoos)

Similar to tattoos, the two-dimensional imagery of nature and its associated visual power provide graphic designers an infinite palette.

Nature in graphic design (left photo from amazon.com, right art by Peter Fox)

In baking a cake, rarely are these flowers real. They are usually just cream, butter and sugar. The origin of this longstanding decorating theme is unknown. Why does a wedding or birthday cake need to have flowers all over it? Why not birds and butterflies?

Nature in baking (photo from weddbook.com)

With his Sixth Symphony, known as the Pastoral Symphony, Beethoven choose to compose in a countryside setting, allowing the comforts of nature, its vibes and currents, to move him to write classical music. Other composers, such as Vivaldi, captured the abstract character of each season through melody, harmony and rhythm.

Music inspired by nature, left: The Four Seasons, by Antonio Vivaldi, 1723; middle: Prelude to the Afternoon of a Faun, by Claude Debussy, 1894; right: Pastoral Symphony, by Ludwig van Beethoven, 1808

Whether a painting or a wedding cake, whether a building or a tattoo, Biophilia and biophilic design occupies our every day. In his 1984 book, Biophilia, Harvard professor, E.O. Wilson, introduced the concept, that we all have “the urge to affiliate with other forms of life.” Then he gave it a name, associated it with architecture and design, and we now have the moniker to label our innate love for nature: Biophilia.

Final note. Not everyone chooses biophilic design. In my article, White on White on White , we see that some do not seek a comfy house made of rustic wood and covered in vines. Rather, some individuals desire the modernity of a steel and glass, white house—ordered, abstract, simple, removed from the common traits found in our evolving nature and its living organisms.

© Poon Design Inc.